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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Main Street by Sinclair Lewis:

Westlake spread lies; his friends doubted him; his self- confidence was so broken that it was horrible to see the indecision of the decisive man; he was convicted, handcuffed, taken on a train----

She ran to his room. At her nervous push the door swung sharply in, struck a chair. He awoke, gasped, then in a steady voice: "What is it, dear? Anything wrong?" She darted to him, fumbled for the familiar harsh bristly cheek. How well she knew it, every seam, and hardness of bone, and roll of fat! Yet when he sighed, "This is a nice visit," and dropped his hand on her thin-covered shoulder, she said, too

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems by Bronte Sisters:

Protected by salvation's helm, Shielded by faith, with truth begirt, To smile when trials seek to whelm And stand mid testing fires unhurt! Hurling hell's strongest bulwarks down, Even when the last pang thrills my breast, When death bestows the martyr's crown, And calls me into Jesus' rest. Then for my ultimate reward-- Then for the world-rejoicing word-- The voice from Father--Spirit--Son:

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

and the course of the Nautilus, a little changed, was bringing it back towards the southeast.

I showed this little rock, lost in the midst of the North Pacific, to my companions.

"If Captain Nemo does sometimes go on dry ground," said I, "he at least chooses desert islands."

Ned Land shrugged his shoulders without speaking, and Conseil and he left me.

After supper, which was served by the steward, mute and impassive, I went to bed, not without some anxiety.

The next morning, the 17th of November, on awakening, I felt


20,000 Leagues Under the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

his slaves went as far as the middle of the outposts to drive caltrops into the ground. But the elephants, whose allowances were lessened, struggled in their shackles. To economise the grass he ordered the Clinabarians to kill the least strong among the stallions. A few refused to do so, and he had them decapitated. The horses were eaten. The recollection of this fresh meat was a source of great sadness to them in the days that followed.

From the bottom of the ampitheatre in which they were confined they could see the four bustling camps of the Barbarians all around them on the heights. Women moved about with leathern bottles on their heads, goats strayed bleating beneath the piles of pikes; sentries were being


Salammbo