| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach: Jeremiah 50: 9 For, lo, I will stir up and cause to come up against Babylon an assembly of great nations from the north country; and they shall set themselves in array against her, from thence she shall be taken; their arrows shall be as of a mighty man that maketh childless; none shall return in vain.
Jeremiah 50: 10 And Chaldea shall be a spoil; all that spoil her shall be satisfied, saith the LORD.
Jeremiah 50: 11 Because ye are glad, because ye rejoice, O ye that plunder My heritage, because ye gambol as a heifer at grass, and neigh as strong horses;
Jeremiah 50: 12 Your mother shall be sore ashamed, she that bore you shall be confounded; behold, the hindermost of the nations shall be a wilderness, a dry land, and a desert.
Jeremiah 50: 13 Because of the wrath of the LORD it shall not be inhabited, but it shall be wholly desolate; every one that goeth by Babylon shall be appalled and hiss at all her plagues.
Jeremiah 50: 14 Set yourselves in array against Babylon round about, all ye that bend the bow, shoot at her, spare no arrows; for she hath sinned against the LORD.
Jeremiah 50: 15 Shout against her round about, she hath submitted herself; her buttresses are fallen, her walls are thrown down; for it is the vengeance of the LORD, take vengeance upon her; as she hath done, do unto her.
Jeremiah 50: 16 Cut off the sower from Babylon, and him that handleth the sickle in the time of harvest; for fear of the oppressing sword they shall turn every one to his people, and they shall flee every one to his own land.
 The Tanach |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edition of The Ambassadors by Henry James: even among the supremely good--since with such alone is it one's
theory of one's honour to be concerned--there is an ideal BEAUTY
of goodness the invoked action of which is to raise the artistic
faith to its maximum. Then truly, I hold, one's theme may be said
to shine, and that of "The Ambassadors," I confess, wore this glow
for me from beginning to end. Fortunately thus I am able to
estimate this as, frankly, quite the best, "all round," of all my
productions; any failure of that justification would have made
such an extreme of complacency publicly fatuous.
I recall then in this connexion no moment of subjective
intermittence, never one of those alarms as for a suspected hollow
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