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Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

looked askance and intoxicated, broad shoulders, and ragged elbows, approached the front half of Ivan Nikiforovitch, crossed his hands for him as though he had been a child, and winked at the old soldier, who braced his knee against Ivan Nikiforovitch's belly, so, in spite of the latter's piteous moans, he was squeezed out into the ante-room. Then they pulled the bolts, and opened the other half of the door. Meanwhile the clerk and his assistant, breathing hard with their friendly exertions, exhaled such a strong odour that the court-room seemed temporarily turned into a drinking-room.

"Are you hurt, Ivan Nikiforovitch? I will tell my mother to send you a decoction of brandy, with which you need but to rub your back and


Taras Bulba and Other Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Altar of the Dead by Henry James:

endless histories, handling the empty shells and playing with the silence - more and more he could see that he had never introduced an alien. He had had his great companions, his indulgences - there were cases in which they had been immense; but what had his devotion after all been if it hadn't been at bottom a respect? He was, however, himself surprised at his stiffness; by the end of the winter the responsibility of it was what was uppermost in his thoughts. The refrain had grown old to them, that plea for just one more. There came a day when, for simple exhaustion, if symmetry should demand just one he was ready so far to meet symmetry. Symmetry was harmony, and the idea of harmony began to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

be told that Allah is a false god set up by the Turks and Arabs, who will all be damned for taking that liberty; but it should be told that many English people think so, and that many Turks and Arabs think the converse about English people. It should be taught that Allah is simply the name by which God is known to Turks and Arabs, who are just as eligible for salvation as any Christian. Further, that the practical reason why a Turkish child should pray in a mosque and an English child in a church is that as worship is organized in Turkey in mosques in the name of Mahomet and in England in churches in the name of Christ, a Turkish child joining the Church of England or an English child following Mahomet will find that it has no place for its worship

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

acquired, by a long and dangerous process, the only perfect skeleton then in the world, and the hideous story of the robber to whom it had belonged--all these horrors those who list may read for themselves elsewhere. I hasten past them with this remark--that to have gone through the toils, dangers, and disgusts which Vesalius faced, argued in a superstitious and cruel age like his, no common physical and moral courage, and a deep conscience that he was doing right, and must do it at all risks in the face of a generation which, peculiarly reckless of human life and human agony, allowed that frame which it called the image of God to be tortured, maimed, desecrated in every way while alive; and yet--straining at the gnat