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Today's Stichomancy for Sarah Silverman

The first excerpt represents the past or something you must release, and is drawn from The Call of the Canyon by Zane Grey:

surroundings even more squalid than the ruined forest. What wretched abodes! Could it be possible that people had lived in them? She imagined men had but hardly women and children. Somewhere she had forgotten an idea that women and children were extremely scarce in the West.

Straggling bits of forest--yellow pines, the driver called the trees--began to encroach upon the burned-over and arid barren land. To Carley these groves, by reason of contrast and proof of what once was, only rendered the landscape more forlorn and dreary. Why had these miles and miles of forest been cut? By money grubbers, she supposed, the same as were devastating the Adirondacks. Presently, when the driver had to halt to repair or adjust something wrong with the harness, Carley was grateful for a respite from


The Call of the Canyon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

The mountain wooded to the peak, the lawns And winding glades high up like ways to Heaven, The slender coco's drooping crown of plumes, The lightning flash of insect and of bird, The lustre of the long convolvuluses That coil'd around the stately stems, and ran Ev'n to the limit of the land, the glows And glories of the broad belt of the world, All these he saw; but what he fain had seen He could not see, the kindly human face, Nor ever hear a kindly voice, but heard

The third excerpt represents the future or something you must embrace, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

that marks her sister's flight, the fires of Loki again flame high round the mountain; and the horn of Siegfried is heard as he makes his way through them. But the man who now appears wears the Tarnhelm: his voice is a strange voice: his figure is the unknown one of the king of the Gibichungs. He tears the ring from her finger, and, claiming her as his wife, drives her into the cave without pity for her agony of horror, and sets Nothung between them in token of his loyalty to the friend he is impersonating. No explanation of this highway robbery of the ring is offered. Clearly, this Siegfried is not the Siegfried of the previous drama.