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Today's Stichomancy for Sarah Silverman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Water-Babies by Charles Kingsley:

lived, and all his companions there; and wanted to get out into the wide wide world, and enjoy all the wonderful sights of which he was sure it was full.

And once he set off to go down the stream. But the stream was very low; and when he came to the shallows he could not keep under water, for there was no water left to keep under. So the sun burned his back and made him sick; and he went back again and lay quiet in the pool for a whole week more.

And then, on the evening of a very hot day, he saw a sight.

He had been very stupid all day, and so had the trout; for they would not move an inch to take a fly, though there were thousands

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

looked him in the face, exposing the man's throat, then he drew his long, keen knife, the knife that John Clayton, Lord Greystoke, had brought from England many years before. He raised it close above Mbonga's neck. The old black whimpered with terror. He pleaded for his life in a tongue which Tarzan could not understand.

For the first time the ape-man had a close view of the chief. He saw an old man, a very old man with scrawny neck and wrinkled face--a dried, parchment-like face which resembled some of the little monkeys Tarzan knew so well. He saw the terror in the man's eyes--never before had


The Jungle Tales of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poems by Bronte Sisters:

And oh! full oft, quite spent and weary, Her hand will pause, her head decline; That labour seems so hard and dreary, On which no ray of hope may shine.

Thus the pale blight of time and sorrow Will shade with grey her soft, dark hair; Then comes the day that knows no morrow, And death succeeds to long despair.

So speaks experience, sage and hoary; I see it plainly, know it well, Like one who, having read a story,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Falk by Joseph Conrad:

main thoroughfare ruinous and gay, running away, away between stretches of decaying mason- ry, bamboo fences, ranges of arcades of brick and plaster, hovels of lath and mud, lofty temple gates of carved timber, huts of rotten mats--an im- mensely wide thoroughfare, loosely packed as far as the eye could reach with a barefooted and brown multitude paddling ankle deep in the dust. For a moment I felt myself about to go out of my mind with worry and desperation.

Some allowance must be made for the feelings


Falk