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Today's Stichomancy for Sarah Silverman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon:

horsemanship, we wish to show to our younger friends how, as we conceive the matter, they will proceed most correctly in dealing with horses." {ippeuein} in the case of Xenophon = serve as a {ippeus}, whether technically as an Athenian "knight" or more particularly in reference to his organisation of a troop of cavalry during "the retreat" ("Anab." III. iii. 8-20), and, as is commonly believed, while serving under Agesilaus ("Hell." III. iv. 14) in Asia, 396, 395 B.C.

There is, it is true, a treatise on horsemanship written by Simon, the same who dedicated the bronze horse near the Eleusinion in Athens[2] with a representation of his exploits engraved in relief on the


On Horsemanship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Misalliance by George Bernard Shaw:

capable of giving him. _[Releasing Gunner, but facing him ominously]_ Take your choice. Which is it to be?

GUNNER. Give me a fair chance. Go and stick at a desk from nine to six for a month, and let me have your grub and your sport and your lessons in boxing, and I'll fight you fast enough. You know I'm no good or you darent bully me like this.

PERCIVAL. You should have thought of that before you attacked a lady with a dastardly slander. I'm waiting for your decision. I'm rather in a hurry, please.

GUNNER. I never said anything against the lady.

MRS TARLETON. | Oh, listen to that!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Octopus by Frank Norris:

calling for her, searching for her, found, I don't know what, but found a resting place--a companion. Three times since then I have gone to the Mission garden at night. Last night was the third time."

He paused, his eyes shining with excitement. Presley leaned forward toward him, motionless with intense absorption.

"Well--and last night," he prompted.

Vanamee stirred in his seat, his glance fell, he drummed an instant upon the table.

"Last night," he answered, "there was--there was a change. The Answer was--" he drew a deep breath--"nearer."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

the belief in "origin," the mark of a period which may be designated in the narrower sense as the MORAL one: the first attempt at self-knowledge is thereby made. Instead of the consequences, the origin--what an inversion of perspective! And assuredly an inversion effected only after long struggle and wavering! To be sure, an ominous new superstition, a peculiar narrowness of interpretation, attained supremacy precisely thereby: the origin of an action was interpreted in the most definite sense possible, as origin out of an INTENTION; people were agreed in the belief that the value of an action lay in the value of its intention. The intention as the sole origin and


Beyond Good and Evil