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Today's Stichomancy for Sean Astin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 1492 by Mary Johntson:

into light, for in these lands and seas the dawn makes no tarrying. It is almost night, then with a great clap of light it is day.

We had voyaged, all thought, to Asia over an untrodden way. Every eye turned to land. Not haze, not dissolving cloud, not a magic nothing in the thought, but land, land, solid, palpable, like Palos strand! Had we seen a great port city, had we seen ships crowding harbor, had we seen a citadel on some height, armed and frowning, had we marked temples and palaces and banners afloat in this divine cool wind of morning, many aboard us would have had now no

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

natural selection. In South America, a burrowing rodent, the tuco-tuco, or Ctenomys, is even more subterranean in its habits than the mole; and I was assured by a Spaniard, who had often caught them, that they were frequently blind; one which I kept alive was certainly in this condition, the cause, as appeared on dissection, having been inflammation of the nictitating membrane. As frequent inflammation of the eyes must be injurious to any animal, and as eyes are certainly not indispensable to animals with subterranean habits, a reduction in their size with the adhesion of the eyelids and growth of fur over them, might in such case be an advantage; and if so, natural selection would constantly aid the effects of disuse.

It is well known that several animals, belonging to the most different


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Father Sergius by Leo Tolstoy:

having seen him for almost twenty years.

'Don't think ill of me, Father. Perhaps you want something to eat?'

He took the bread and the money, and Praskovya Mikhaylovna was surprised that he did not go, but stood looking at her.

'Pashenka, I have come to you! Take me in . . .'

His beautiful black eyes, shining with the tears that started in them, were fixed on her with imploring insistence. And under his greyish moustache his lips quivered piteously.

Praskovya Mikhaylovna pressed her hands to her withered breast, opened her mouth, and stood petrified, staring at the pilgrim

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crisis in Russia by Arthur Ransome:

which, at least inside the Communist Party, seemed generally taken for granted. It may be taken now as certain that the majority of the Communists are in favor of individual control. They say that the object of "workers' control" before the revolution was to ensure that factories should be run in the interests of workers as well of employers. In Russia now there are no employers other than the State as a whole, which is exclusively made up of employees. (I am stating now the view of the majority at the last Trades Union Congress at which I was present, April, 1920.) They say that "workers'