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Today's Stichomancy for Sean Astin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Brothers by Honore de Balzac:

their own homes, these young fellows found little or no distraction elsewhere in the city; and as, in the language of that region, "youth must shed its cuticle" they sowed their wild oats at the expense of the town itself. It was difficult to carry on such operations in open day, lest the perpetrators should be recognized; for the cup of their misdemeanors once filled, they were liable to be arraigned at their next peccadillo before the police courts; and they therefore judiciously selected the night time for the performance of their mischievous pranks. Thus it was that among the traces of divers lost civilizations, a vestige of the spirit of drollery that characterized the manners of antiquity burst into a final flame.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memories and Portraits by Robert Louis Stevenson:

marked for higher destinies; we loved his notice; and I have rarely had my pride more gratified than when he sat at my father's table, my acknowledged friend. So he walked among us, both hands full of gifts, carrying with nonchalance the seeds of a most influential life.

The powers and the ground of friendship is a mystery; but, looking back, I can discern that, in part, we loved the thing he was, for some shadow of what he was to be. For with all his beauty, power, breeding, urbanity and mirth, there was in those days something soulless in our friend. He would astonish us by sallies, witty, innocent and inhumane; and by a misapplied Johnsonian pleasantry,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

And in an hour I had a whiff of chloroform and Doctor Williams had set the broken bone.

I dropped asleep then, waking in the late twilight to a realization that I was at home again, without the papers that meant conviction for Andy Bronson, with a charge of murder hanging over my head, and with something more than an impression of the girl my best friend was in love with, a girl moreover who was almost as great an enigma as the crime itself.

"And I'm no hand at guessing riddles," I groaned half aloud. Mrs. Klopton came over promptly and put a cold cloth on my forehead.

"Euphemia," she said to some one outside the door, "telephone the


The Man in Lower Ten
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

deformed pigmies, mulattoes of doubtful sex, albinos whose red eyes blinked in the sun; stammering out unintelligible sounds, they put a finger into their mouths to show that they were hungry.

The confusion of weapons was as great as that of garments and peoples. There was not a deadly invention that was not present--from wooden daggers, stone hatchets and ivory tridents, to long sabres toothed like saws, slender, and formed of a yielding copper blade. They handled cutlasses which were forked into several branches like antelopes' horns, bills fastened to the ends of ropes, iron triangles, clubs and bodkins. The Ethiopians from the Bambotus had little poisoned darts hidden in their hair. Many had brought pebbles in bags.


Salammbo