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Today's Stichomancy for Sean Astin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

the mother seated herself, and taking out a long stocking of mixed blue and white yarn, began to knit with briskness.

"Mary, thee'd better fill the kettle, hadn't thee?" gently suggested the mother.

Mary took the kettle to the well, and soon reappearing, placed it over the stove, where it was soon purring and steaming, a sort of censer of hospitality and good cheer. The peaches, moreover, in obedience to a few gentle whispers from Rachel, were soon deposited, by the same hand, in a stew-pan over the fire.

Rachel now took down a snowy moulding-board, and, tying on an apron, proceeded quietly to making up some biscuits, first saying


Uncle Tom's Cabin
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

science - that we could not photograph these anomalous creatures, we shortly left them to their squawking and pushed on toward the abyss whose openness was now so positively proved to us, and whose exact direction occasional penguin tracks made clear. Not long afterward a steep descent in a long, low, doorless, and peculiarly sculptureless corridor led us to believe that we were approaching the tunnel mouth at last. We had passed two more penguins, and heard others immediately ahead. Then the corridor ended in a prodigious open space which made us gasp involuntarily - a perfect inverted hemisphere, obviously deep underground; fully a hundred feet in


At the Mountains of Madness
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Stories From the Old Attic by Robert Harris:

set my hopes too high. I'll start by looking for a silver dollar."

With this thought, the man's eyes brightened and he continued now more alertly down the road, staring intently at the ground and knocking little pebbles around with his cane. After a little, he thought he saw something ahead. Mending his pace somewhat, he hurried (as an old man with a cane hurries) up to the object, which he now believed to be a quarter. When he stooped down to pick it up, however, he found it to be merely a bottle cap, covered with red ants eating the remaining sugar. "Just what I was looking for!" exclaimed the old man with glee, even though the ants began to sting him on the thumb and forefinger. "Bottlecaps can be very useful."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Critias by Plato:

country in the following manner:--

First of all they bridged over the zones of sea which surrounded the ancient metropolis, making a road to and from the royal palace. And at the very beginning they built the palace in the habitation of the god and of their ancestors, which they continued to ornament in successive generations, every king surpassing the one who went before him to the utmost of his power, until they made the building a marvel to behold for size and for beauty. And beginning from the sea they bored a canal of three hundred feet in width and one hundred feet in depth and fifty stadia in length, which they carried through to the outermost zone, making a passage from the sea up to this, which became a harbour, and leaving an