The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Venus and Adonis by William Shakespeare: But stole his blood and seem'd with him to bleed.
This solemn sympathy poor Venus noteth, 1057
Over one shoulder doth she hang her head,
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead: 1060
Her voice is stopp'd, her joints forget to bow,
Her eyes are mad that they have wept till now.
Upon his hurt she looks so steadfastly,
That her sight dazzling makes the wound seem three;
And then she reprehends her mangling eye, 1065
That makes more gashes where no breach should be:
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the South Seas by Robert Louis Stevenson: shocking inference that the dead might eat the living. Doubtless
they slay men, doubtless even mutilate them, in mere malice.
Marquesan spirits sometimes tear out the eyes of travellers; but
even that may be more practical than appears, for the eye is a
cannibal dainty. And certainly the root-idea of the dead, at least
in the far eastern islands, is to prowl for food. It was as a
dainty morsel for a meal that the woman denounced Donat at the
funeral. There are spirits besides who prey in particular not on
the bodies but on the souls of the dead. The point is clearly made
in a Tahitian story. A child fell sick, grew swiftly worse, and at
last showed signs of death. The mother hastened to the house of a
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