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Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

so completely that he loses all possible interest in life. If you had married this girl, you would have been wretched. Of course, you would have treated her kindly. One can always be kind to people about whom one cares nothing. But she would have soon found out that you were absolutely indifferent to her. And when a woman finds that out about her husband, she either becomes dreadfully dowdy, or wears very smart bonnets that some other woman's husband has to pay for. I say nothing about the social mistake, which would have been abject--which, of course, I would not have allowed-- but I assure you that in any case the whole thing would have been an


The Picture of Dorian Gray
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Mirth by Edith Wharton:

dependence on it, or suffered from a sympathetic affection: fashion sulked in its country houses, or came to town incognito, general entertainments were discountenanced, and informality and short dinners became the fashion.

But society, amused for a while at playing Cinderella, soon wearied of the hearthside role, and welcomed the Fairy Godmother in the shape of any magician powerful enough to turn the shrunken pumpkin back again into the golden coach. The mere fact of growing richer at a time when most people's investments are shrinking, is calculated to attract envious attention; and according to Wall Street rumours, Welly Bry and Rosedale had

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voyage Out by Virginia Woolf:

for the space of two hours, now appeared amazingly solid and clear, but although there were men on the hill washing the trunks of olive trees with a white liquid, for the moment she herself was the most vivid thing in it--an heroic statue in the middle of the foreground, dominating the view. Ibsen's plays always left her in that condition. She acted them for days at a time, greatly to Helen's amusement; and then it would be Meredith's turn and she became Diana of the Crossways. But Helen was aware that it was not all acting, and that some sort of change was taking place in the human being. When Rachel became tired of the rigidity of her pose on the back of the chair, she turned round, slid comfortably down into it,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen:

door till a slatternly servant girl came down looking more than half asleep. The constable pointed out the contents of the area to the maid, who screamed loudly enough to wake up the street, but she knew nothing of the man; had never seen him at the house, and so forth. Meanwhile, the original discoverer had come back with a medical man, and the next thing was to get into the area. The gate was open, so the whole quartet stumped down the steps. The doctor hardly needed a moment's examination; he said the poor fellow had been dead for several hours, and it was then the case began to get interesting. The dead man had not been robbed, and in one of his pockets were papers identifying


The Great God Pan