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Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Communist Manifesto by Karl Marx:

subjugate the labour of others by means of such appropriation.

It has been objected that upon the abolition of private property all work will cease, and universal laziness will overtake us.

According to this, bourgeois society ought long ago to have gone to the dogs through sheer idleness; for those of its members who work, acquire nothing, and those who acquire anything, do not work. The whole of this objection is but another expression of the tautology: that there can no longer be any wage-labour when there is no longer


The Communist Manifesto
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Off on a Comet by Jules Verne:

stove-pipe, hoping to descry the passing trader with which he might effect some bartering upon advantageous terms.

At first he professed to regard the proposed removal into winter-quarters as an attempt to impose upon his credulity; but the frequent voyages made by the _Dobryna_ to the south, and the repeated consignments of corn and cattle, soon served to make him aware that Captain Servadac and his companions were really contemplating a departure from Gourbi Island.

The movement set him thinking. What, he began to ask himself-- what if all that was told him was true? What if this sea was no longer the Mediterranean? What if he should never again behold his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ruling Passion by Henry van Dyke:

fleece like a merino ram. But under this coat of innocence he carried a heart so black that he would bite while he was wagging his tail. This smooth devil, and his four followers like unto himself, had sworn relentless hatred to Pichou, and they made his life difficult.

But his great and sufficient consolation for all toils and troubles was the friendship with his master. In the long summer evenings, when Dan Scott was making up his accounts in the store, or studying his pocket cyclopaedia of medicine in the living-room of the Post, with its low beams and mysterious green-painted cupboards, Pichou would lie contentedly at his feet. In the frosty autumnal mornings,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Recruit by Honore de Balzac:

the countess was obliged to return to her room. Brigitte, who watched her movements, was uneasy when she did not reappear, and entering the room she found her dead.

"She must have heard that recruit walking about Monsieur Auguste's room, and singing their damned Marseillaise, as if he were in a stable," cried Brigitte. "That was enough to kill her!"

The death of the countess had a far more solemn cause; it resulted, no doubt, from an awful vision. At the exact hour when Madame de Dey died at Carentan, her son was shot in the Morbihan. That tragic fact may be added to many recorded observations on sympathies that are known to ignore the laws of space: records which men of solitude are collecting