The first excerpt represents the past or something you must release, and is drawn from The Jungle by Upton Sinclair: of Elzbieta and the children and old times. Shortly before they
were through, there came another colored girl, with the message
that the "madame" wanted Marija--"Lithuanian Mary," as they
called her here.
"That means you have to go," she said to Jurgis.
So he got up, and she gave him the new address of the family, a
tenement over in the Ghetto district. "You go there," she said.
"They'll be glad to see you."
But Jurgis stood hesitating.
"I--I don't like to," he said. "Honest, Marija, why don't you
just give me a little money and let me look for work first?"
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Iron Puddler by James J. Davis: two hundred pounds. Every pound above that went to the company
and was loss to the men.
I have heard that "guessing pigs" was an old-time sport among
farmers. To test their skill, each farmer would guess the weight
of a grazing pig. Then they would catch the porker, throw him on
the scales, and find out which farmer had guessed nearest the
mark. Sunday clothes used to be badly soiled in this sport.
But the iron worker does not guess his pigs. He knows exactly
how much pig-iron he put into the boil. His guessing skill comes
into play when with a long paddle and hook he separates six
hundred pounds of sizzling fireworks into three fire balls each
|
The third excerpt represents the future or something you must embrace, and is drawn from The Ruling Passion by Henry van Dyke: that runs near it, and the shaded paths that lead to and from its
door.
By this magic of pictures my narrow, upright slice of living-space
in one of the brown-stone strata on the eastward slope of Manhattan
Island is transferred to an open and agreeable site. It has windows
that look toward the woods and the sunset, watergates by which a
little boat is always waiting, and secret passageways leading into
fair places that are frequented by persons of distinction and charm.
No darkness of night obscures these outlets; no neighbour's house
shuts off the view; no drifted snow of winter makes them impassable.
They are always free, and through them I go out and in upon my
|