| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Across The Plains by Robert Louis Stevenson: in this spacious vacancy, this greatness of the air, this discovery
of the whole arch of heaven, this straight, unbroken, prison-line
of the horizon. Yet one could not but reflect upon the weariness
of those who passed by there in old days, at the foot's pace of
oxen, painfully urging their teams, and with no landmark but that
unattainable evening sun for which they steered, and which daily
fled them by an equal stride. They had nothing, it would seem, to
overtake; nothing by which to reckon their advance; no sight for
repose or for encouragement; but stage after stage, only the dead
green waste under foot, and the mocking, fugitive horizon. But the
eye, as I have been told, found differences even here; and at the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Laches by Plato: NICIAS: I think not.
SOCRATES: Clearly not, Nicias; not even such a big pig as the Crommyonian
sow would be called by you courageous. And this I say not as a joke, but
because I think that he who assents to your doctrine, that courage is the
knowledge of the grounds of fear and hope, cannot allow that any wild beast
is courageous, unless he admits that a lion, or a leopard, or perhaps a
boar, or any other animal, has such a degree of wisdom that he knows things
which but a few human beings ever know by reason of their difficulty. He
who takes your view of courage must affirm that a lion, and a stag, and a
bull, and a monkey, have equally little pretensions to courage.
LACHES: Capital, Socrates; by the gods, that is truly good. And I hope,
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Devil's Dictionary by Ambrose Bierce: vocabulary of every competent writer who might not happen to be a
competent reader.
OBSTINATE, adj. Inaccessible to the truth as it is manifest in the
splendor and stress of our advocacy.
The popular type and exponent of obstinacy is the mule, a most
intelligent animal.
OCCASIONAL, adj. Afflicting us with greater or less frequency. That,
however, is not the sense in which the word is used in the phrase
"occasional verses," which are verses written for an "occasion," such
as an anniversary, a celebration or other event. True, they afflict
us a little worse than other sorts of verse, but their name has no
The Devil's Dictionary |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life in the Iron-Mills by Rebecca Davis: every soul from one eternity to the other,--something pure and
beautiful, which might have been and was not: a hope, a talent,
a love, over which the soul mourns, like Esau deprived of his
birthright. What blame to the meek Quaker, if she took her lost
hope to make the hills of heaven more fair?
Nothing remains to tell that the poor Welsh puddler once lived,
but this figure of the mill-woman cut in korl. I have it here
in a corner of my library. I keep it hid behind a curtain,--it
is such a rough, ungainly thing. Yet there are about it
touches, grand sweeps of outline, that show a master's hand.
Sometimes,--to-night, for instance,--the curtain is accidentally
Life in the Iron-Mills |
