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Today's Stichomancy for Sharon Stone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Across The Plains by Robert Louis Stevenson:

upon the stair; all day long there will be a knocking at the doors; beggars come, beggars go, without stint, hardly with intermission, from morning till night; and meanwhile, in the same city and but a few streets off, the castles of the rich stand unsummoned. Get the tale of any honest tramp, you will find it was always the poor who helped him; get the truth from any workman who has met misfortunes, it was always next door that he would go for help, or only with such exceptions as are said to prove a rule; look at the course of the mimetic beggar, it is through the poor quarters that he trails his passage, showing his bandages to every window, piercing even to the attics with his nasal song. Here is a remarkable state of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

espousing his poverty, studying to comprehend his caprices, strong to bear deprivation and bestow love, as others are daring in the display of luxury and in parading the insensibility of their hearts. The smile which flickered on her lips brightened as with gold the darkness of the garret and rivalled the effulgence of the skies; for the sun did not always shine in the heavens, but she was always here,--calm and collected in her passion, living in his happiness, his griefs; sustaining the genius which overflowed in love ere it found in art its destined expression.

"Listen, Gillette; come!"

The obedient, happy girl sprang lightly on the painter's knee. She was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cousin Betty by Honore de Balzac:

of all their works; and then, let any lover of art go to Florence and see Michael Angelo's /Penseroso/, or to the Cathedral of Mainz, and behold the /Virgin/ by Albert Durer, who has created a living woman out of ebony, under her threefold drapery, with the most flowing, the softest hair that ever a waiting-maid combed through; let all the ignorant flock thither, and they will acknowledge that genius can give mind to drapery, to armor, to a robe, and fill it with a body, just as a man leaves the stamp of his individuality and habits of life on the clothes he wears.

Sculpture is the perpetual realization of the fact which once, and never again, was, in painting called Raphael!

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Heap O' Livin' by Edgar A. Guest:

Could still go round and boast he had With queries floored me daily. He'll stick, I'll bet, in less than five Brief minutes any man alive.

ETERNAL FRIENDSHIP

Who once has had a friend has found The link 'twixt mortal and divine; Though now he sleeps in hallowed ground, He lives in memory's sacret shrine; And there he freely moves about, A spirit that has quit the clay,


A Heap O' Livin'