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Today's Stichomancy for Sharon Stone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Call of Cthulhu by H. P. Lovecraft:

the resultant din and chaos were beyond description. Wild blows were struck, shots were fired, and escapes were made; but in the end Legrasse was able to count some forty-seven sullen prisoners, whom he forced to dress in haste and fall into line between two rows of policemen. Five of the worshippers lay dead, and two severely wounded ones were carried away on improvised stretchers by their fellow-prisoners. The image on the monolith, of course, was carefully removed and carried back by Legrasse. Examined at headquarters after a trip of intense strain and weariness, the prisoners all proved to be men of a very low, mixed-blooded, and mentally aberrant


Call of Cthulhu
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Another Study of Woman by Honore de Balzac:

are such consummate actresses; but they are glaring in the eyes of Parisians: hooks ill fastened, strings showing loops of rusty-white tape through a gaping slit in the back, rubbed shoe-leather, ironed bonnet-strings, an over-full skirt, an over-tight waist. You will see a certain effort in the intentional droop of the eyelid. There is something conventional in the attitude.

"As to the /bourgeoise/, the citizen womankind, she cannot possibly be mistaken for the spell cast over you by the Unknown. She is bustling, and goes out in all weathers, trots about, comes, goes, gazes, does not know whether she will or will not go into a shop. Where the lady knows just what she wants and what she is doing, the townswoman is

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

row and hillock to hillock among the vines. The three ladies and Monsieur Vernier, left to themselves, went off into fits of laughter as they watched the traveller and the lunatic discussing, gesticulating, stopping short, resuming their walk, and talking vehemently.

"I wish the good-man hadn't carried him off," said Vernier.

Finally the pair returned, walking with the eager step of men who were in haste to finish up a matter of business.

"He has got the better of the Parisian, damn him!" cried Vernier.

And so it was. To the huge delight of the lunatic our illustrious Gaudissart sat down at a card-table and wrote an order for the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

Some were torn and mangled; others lay rolling quietly to the motion of the sea, their countenances composed and peaceful; others were set in hideous lines of agony or horror. Close to the boat's side floated the figure of a girl. Her face was turned upward, held above the surface by her life-belt, and was framed in a floating mass of dark and waving hair. She was very beautiful. I had never looked upon such perfect features, such a divine molding which was at the same time human-- intensely human. It was a face filled with character and strength and femininity--the face of one who was created to love and to be loved. The cheeks were flushed to the hue of


The Land that Time Forgot