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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scaramouche by Rafael Sabatini:

curtains.

As they stepped back, and the curtains screened them again from the departing audience, M. Binet approached them, rubbing his fat hands softly together. This runagate young lawyer, whom chance had blown into his company, had evidently been sent by Fate to make his fortune for him. The sudden success at Guichen, hitherto unrivalled, should be repeated and augmented elsewhere. There would be no more sleeping under hedges and tightening of belts. Adversity was behind him. He placed a hand upon Scaramouche's shoulder, and surveyed him with a smile whose oiliness not even his red paint and colossal false nose could dissemble.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac:

incense smoke that arose from the censers was grateful to my soul. The tall wax candles flickered. The lectern, gay as a chanter undone by the treachery of wine, was skipping about like a peal of Chinese bells.

Then I knew that the whole cathedral was whirling round so fast that everything appeared to be undisturbed. The colossal Figure on the crucifix above the altar smiled upon me with a mingled malice and benevolence that frightened me; I turned my eyes away, and marveled at the bluish vapor that slid across the pillars, lending to them an indescribable charm. Then some graceful women's forms began to stir on the friezes. The cherubs who upheld the heavy columns shook out their

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde:

modern conception of progress rests partly on the new enthusiasm and worship of humanity, partly on the splendid hopes of material improvements in civilisation which applied science has held out to us, two influences from which ancient Greek thought seems to have been strangely free. For the Greeks marred the perfect humanism of the great men whom they worshipped, by imputing to them divinity and its supernatural powers; while their science was eminently speculative and often almost mystic in its character, aiming at culture and not utility, at higher spirituality and more intense reverence for law, rather than at the increased facilities of locomotion and the cheap production of common things about which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

beneath the underpinning, as one may say, and hangs his frowning picture on the wall, and, after thus converting himself into an evil destiny, expects his remotest great-grandchildren to be happy there. I do not speak wildly. I have just such a house in my mind's eye!"

"Then, sir," said the old gentleman, getting anxious to drop the subject, "you are not to blame for leaving it."

"Within the lifetime of the child already born," Clifford went on, "all this will be done away. The world is growing too ethereal and spiritual to bear these enormities a great while longer. To me, though, for a considerable period of time, I have lived chiefly


House of Seven Gables