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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Touchstone by Edith Wharton:

barriers of talk behind which two people can say what they please. While the reading was discussed they were silent. Their silence seemed to Glennard almost cynical--it stripped the last disguise from their complicity. A throb of anger rose in him, but suddenly it fell, and he felt, with a curious sense of relief, that at bottom he no longer cared whether Flamel had told his wife or not. The assumption that Flamel knew about the letters had become a fact to Glennard; and it now seemed to him better that Alexa should know too.

He was frightened at first by the discovery of his own indifference. The last barriers of his will seemed to be breaking

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of Man by Oscar Wilde:

and make the love of man and woman more wonderful, more beautiful, and more ennobling. Jesus knew this. He rejected the claims of family life, although they existed in his day and community in a very marked form. 'Who is my mother? Who are my brothers?' he said, when he was told that they wished to speak to him. When one of his followers asked leave to go and bury his father, 'Let the dead bury the dead,' was his terrible answer. He would allow no claim whatsoever to be made on personality.

And so he who would lead a Christlike life is he who is perfectly and absolutely himself. He may be a great poet, or a great man of science; or a young student at a University, or one who watches

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Monster Men by Edgar Rice Burroughs:

The old rascal had little thought of the priceless treasure hidden beneath the Ithaca's clean swept deck as he ordered his savage henchmen up her sides while he lay back upon his sleeping mat beneath the canopy which protected his vice-regal head from the blistering tropic sun.

Number Thirteen watched the wild head hunters with keenest interest as they clambered aboard the vessel. With von Horn he saw the evident amazement which followed the opening of the hatch, though neither guessed its cause. He saw the haste with which a half


The Monster Men
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Pons by Honore de Balzac:

accost the old acquaintance with whom he had dined once a fortnight for the last year; he lifted his hat, but the other, mayor and deputy of Paris, threw him an indignant glance and went by. Pons turned to Schmucke.

"Do go and ask him what it is that they all have against me," he said to the friend who knew all the details of the catastrophe that Pons could tell him.

"Mennseir," Schmucke began diplomatically, "mine friend Bons is chust recofering from an illness; you haf no doubt fail to rekognize him?"

"Not in the least."

"But mit vat kann you rebroach him?"