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Today's Stichomancy for Sidney Poitier

The first excerpt represents the past or something you must release, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

its torpedo. It is the same with the aeroplane when arrayed against a Zeppelin. It is the mosquito craft of the air.

How then can a heavier-than-air machine triumph over the unwieldy lighter-than-air antagonist? Two solutions are available. If it can get above the dirigible the adroplane may bring about the dirigible's destruction by the successful launch of a bomb. The detonation of the latter would fire the hydrogen within the gas-bag or bags, in which event the airship would fall to earth a tangled wreck. Even if the airship were inflated with a non-inflammable gas--the Germans claim that their Zeppelins now are so inflated--the damage wrought by the bomb would be so

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Unseen World and Other Essays by John Fiske:

and mammary glands. Nay, more, when we survey the net results of our experience up to the present time, we find indisputable evidence that in the past history of the visible universe psychical phenomena have only begun to be manifested in connection with certain complex aggregates of material phenomena. As these material aggregates have age by age become more complex in structure, more complex psychical phenomena have been exhibited. The development of Mind has from the outset been associated with the development of Matter. And to-day, though none of us has any knowledge of the end of psychical phenomena in his own case, yet from all the marks by which we recognize such


The Unseen World and Other Essays
The third excerpt represents the future or something you must embrace, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

was fully dressed for the evening, with a long silk opera-cloak over her shoulders, her face as white as her gown, her splendid eyes strangely wide open and shining. I don't know what I said or did; I tried to get her away, but it was too late. The others had heard us, and appeared at the open window. Jack came forward at once, speaking rapidly, fiercely; telling her to leave the house at once; promising desperately that he would see her in his own rooms on the morrow. Well I remember how her answer rang out,--

"'Neither to-morrow nor another day: I will never leave you again while I live.'

"At the same instant she drew something swiftly from under her