| The first excerpt represents the past or something you must release, and is drawn from Father Damien by Robert Louis Stevenson: Your sect (and remember, as far as any sect avows me, it is mine)
has not done ill in a worldly sense in the Hawaiian Kingdom. When
calamity befell their innocent parishioners, when leprosy descended
and took root in the Eight Islands, a QUID PRO QUO was to be looked
for. To that prosperous mission, and to you, as one of its
adornments, God had sent at last an opportunity. I know I am
touching here upon a nerve acutely sensitive. I know that others
of your colleagues look back on the inertia of your Church, and the
intrusive and decisive heroism of Damien, with something almost to
be called remorse. I am sure it is so with yourself; I am
persuaded your letter was inspired by a certain envy, not
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Waste Land by T. S. Eliot: at the extremity of their strength, had the constant delusion
that there was _one more member_ than could actually be counted.
366-76. Cf. Hermann Hesse, _Blick ins Chaos_:
Schon ist halb Europa, schon ist zumindest der halbe Osten Europas auf dem
Wege zum Chaos, fährt betrunken im heiligen Wahn am Abgrund entlang
und singt dazu, singt betrunken und hymnisch wie Dmitri Karamasoff sang.
Ueber diese Lieder lacht der Bürger beleidigt, der Heilige
und Seher hört sie mit Tränen.
401. 'Datta, dayadhvam, damyata' (Give, sympathize,
control). The fable of the meaning of the Thunder is found
in the _Brihadaranyaka--Upanishad_, 5, 1. A translation is found
 The Waste Land |
The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: furniture, grimey walls, and general disorder and dirt of her home
of a sudden appeared before her and began to take a
potential aspect. Pete's aristocratic person looked as if it might
soil. She looked keenly at him, occasionally, wondering if he was
feeling contempt. But Pete seemed to be enveloped in reminiscence.
"Hully gee," said he, "dose mugs can't phase me. Dey knows I
kin wipe up deh street wid any t'ree of dem."
When he said, "Ah, what deh hell," his voice was burdened with
disdain for the inevitable and contempt for anything that fate
might compel him to endure.
Maggie perceived that here was the beau ideal of a man. Her
 Maggie: A Girl of the Streets |