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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Prince Otto by Robert Louis Stevenson:

serious public evils.

Gondremark, the true ruler of this unfortunate country, is a more complex study. His position in Grunewald, to which he is a foreigner, is eminently false; and that he should maintain it as he does, a very miracle of impudence and dexterity. His speech, his face, his policy, are all double: heads and tails. Which of the two extremes may be his actual design he were a bold man who should offer to decide. Yet I will hazard the guess that he follows both experimentally, and awaits, at the hand of destiny, one of those directing hints of which she is so lavish to the wise.

On the one hand, as MAIRE DU PALAIS to the incompetent Otto, and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac:

1830. I was weary of life. If you had asked me the reason of my despair, I should have found it almost impossible to give it, so languid had grown the soul that was melted within me. The west wind had slackened the springs of my intelligence. A cold gray light poured down from the heavens, and the murky clouds that passed overhead gave a boding look to the land; all these things, together with the immensity of the sea, said to me, "Die to-day or die to-morrow, still must we not die?" And then--I wandered on, musing on the doubtful future, on my blighted hopes. Gnawed by these gloomy thoughts, I turned mechanically into the convent church, with the gray towers that loomed like ghosts though the sea mists. I looked round with no

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Underdogs by Mariano Azuela:

mell.

"I want wine. Hey, there: wine!" Demetrio cries in an imperious voice, pounding heavily on a table.

"Sit down, boys."

A lady peeps out, another, a third; from among black skirts, the heads of frightened children. One of the women, trembling, walks toward a cupboard and, taking out some glasses and a bottle, serves wine.

"What arms have you?" Demetrio demands harshly.

"Arms, arms . . . ?" the lady answers, a taste of ashes on her tongue. "What arms do you expect us to


The Underdogs
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mountains by Stewart Edward White:

up, even though that animal had drunk freely not twenty rods back. As for himself, he embraced every opportunity; and journeyed draped in many canteens.

After that it was not so bad. The thermometer stood from a hundred to a hundred and five or six, to be sure, but we were getting used to it. Discomfort, ordinary physical discomfort, we came to accept as the normal environment of man. It is astonishing how soon uniformly uncomfortable conditions, by very lack of contrast, do lose their power to color the habit of mind. I imagine merely physical