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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Call of Cthulhu by H. P. Lovecraft:

an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind. This thing, which seemed instinct with a fearsome and unnatural malignancy, was of a somewhat bloated corpulence, and squatted evilly on a rectangular block or pedestal covered with undecipherable characters. The tips of the wings touched the back edge of the block, the seat occupied the centre, whilst the long, curved claws of the doubled-up, crouching hind legs gripped the front edge and extended a quarter of the way clown toward the bottom of the pedestal. The cephalopod head was bent forward, so that the ends of the facial feelers brushed the


Call of Cthulhu
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

hated to be inhospitable, but in one thing he was his father's son. He had a strong sense that his house was his own and no man else's; and to lie at a guest's mercy was what he refused. He hated to seem harsh. But that was Frank's lookout. If Frank had been commonly discreet, he would have been decently courteous. And there was another consideration. The secret he was protecting was not his own merely; it was hers: it belonged to that inexpressible she who was fast taking possession of his soul, and whom he would soon have defended at the cost of burning cities. By the time he had watched Frank as far as the Swingleburn-foot, appearing and disappearing in the tarnished heather, still stalking at a fierce gait but already dwindled in the distance

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Koran:

ordained to those who have been given the Book before you, and to you too that ye fear God;- but if ye misbelieve, verily, God's is what is in the heavens and what is in the earth, and God is rich and to be praised!

God's is what is in the heavens and what is in the earth! and God sufficeth for a guardian!

If He will He can make ye pass away, O men! and can bring others;- God is able to do all that.

He who wishes for a reward in this world,- with God is the reward of this world and of the next, and God both hears and sees.

O ye who believe! be ye steadfast in justice, witnessing before


The Koran
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Allan Quatermain by H. Rider Haggard:

understood what it meant. Base, indeed, would be the man who could look upon that mighty snow-wreathed pile -- that white old tombstone of the years -- and not feel his own utter insignificance, and, by whatever name he calls Him, worship God in his heart. Such sights are like visions of the spirit; they throw wide the windows of the chamber of our small selfishness and let in a breath of that air that rushes round the rolling spheres, and for a while illumine our darkness with a far-off gleam of the white light which beats upon the Throne.

Yes, such things of beauty are indeed a joy for ever, and I can well understand what little Flossie meant when she talked of


Allan Quatermain