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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

But Japp was looking attentively at Poirot.

"Hold your fire, Summerhaye," he remarked jocularly. "Me and Moosier here have met before--and there's no man's judgment I'd sooner take than his. If I'm not greatly mistaken, he's got something up his sleeve. Isn't that so, moosier?"

Poirot smiled.

"I have drawn certain conclusions--yes."

Summerhaye was still looking rather sceptical, but Japp continued his scrutiny of Poirot.

"It's this way," he said, "so far, we've only seen the case from the outside. That's where the Yard's at a disadvantage in a case


The Mysterious Affair at Styles
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato:

if kakia is right, then arete is also right. But what is kakon? That is a very obscure word, to which I can only apply my old notion and declare that kakon is a foreign word. Next, let us proceed to kalon, aischron. The latter is doubtless contracted from aeischoroun, quasi aei ischon roun. The inventor of words being a patron of the flux, was a great enemy to stagnation. Kalon is to kaloun ta pragmata--this is mind (nous or dianoia); which is also the principle of beauty; and which doing the works of beauty, is therefore rightly called the beautiful. The meaning of sumpheron is explained by previous examples;--like episteme, signifying that the soul moves in harmony with the world (sumphora, sumpheronta). Kerdos is to pasi kerannumenon--that which mingles with all things:

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

to wait. His antagonist paused only for sufficient time to permit him to recount for the edification of the audience and the confounding of Korak a brief resume of his former victories, of his prowess, and of what he was about to do to this puny Tarmangani. Then he charged.

With clutching fingers and wide opened jaws he came down upon the waiting Korak with the speed of an express train. Korak did not move until the great arms swung to embrace him, then he dropped low beneath them, swung a terrific right to the side of the beast's jaw as he side-stepped his rushing body, and swinging quickly about stood ready over the fallen ape where


The Son of Tarzan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Children of the Night by Edwin Arlington Robinson:

The doubt, the pain, the triumph, and the Truth!

Zola

Because he puts the compromising chart Of hell before your eyes, you are afraid; Because he counts the price that you have paid For innocence, and counts it from the start, You loathe him. But he sees the human heart Of God meanwhile, and in God's hand has weighed Your squeamish and emasculate crusade Against the grim dominion of his art.

Never until we conquer the uncouth