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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

ladies in powder and patches and courtly gentlemen with swords; and when there was no company they spent whole days in the corner parlour just over the housekeeper's room, between reading and slumber and caressing their two pet dogs. When I was a boy I used always to think of these two poor old creatures as superior beings living, like God, somewhere through the ceiling. Occasionally they bumped about a bit and one even heard them overhead, which gave them a greater effect of reality without mitigating their vertical predominance. Sometimes too I saw them. Of course if I came upon them in the park or in the shrubbery (where I was a trespasser) I hid or fled in pious

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and the Future by H. G. Wells:

spites, his propaganda of church-going, his persecution of the heretic and the illegitimate, his ecclesiastical politics, his taboos, and his doctrinal touchiness.... That is why, though I perceive there is a great wave of religious revival in the world to-day, I doubt whether it bodes well for the professional religions....

The other day I was talking to an eminent Anglican among various other people and someone with an eye to him propounded this remarkable view.

"There are four stages between belief and utter unbelief. There are those who believe in God, those who doubt like Huxley the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Egmont by Johann Wolfgang Von Goethe:

here no outlet, no counsel, no escape.--'Tis this thought that tortures me, that seizes my heart, and rends it as with talons. I have myself spread the net; I know its firm, inextricable knots; I know that every avenue is barred alike to courage and to stratagem. I feel that I too, like thyself, like all the rest, am fettered. Think'st thou that I should give way to lamentation if any means of safety remained untried? I have thrown myself at his feet, remonstrated, implored. He has sent me hither, in order to blast in this fatal moment, every remnant of joy and happiness that yet survived within my heart.

Egmont. And is there no deliverance?

Ferdinand. None!


Egmont
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Padre Ignacio by Owen Wister:

that I could get on without any remembrance of the world at all. I found that I could not. And so I have taught the old operas to my choir--such parts of them as are within our compass and suitable for worship. And certain of my friends still alive at home are good enough to remember this taste of mine and to send me each year some of the new music that I should never hear of otherwise. Then we study these things also. And although our organ is a miserable affair, Felipe manages very cleverly to make it do. And while the voices are singing these operas, especially the old ones, what harm is there if sometimes the priest is thinking of something else? So there's my confession! And now, whether Trovatore is come or not, I shall not allow you to leave us until you have taught all you know