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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Soul of the Far East by Percival Lowell:

her own accord, man has multiplied her manifestations. Spots suitable to their growth have been peopled by him with trees. Sometimes they stand in groups like star-clusters, as in Oji, crowning a hill; sometimes, as at Mukojima, they line an avenue for miles, dividing the blue river on the one hand from the blue-green rice-fields on the other,--a floral milky way of light. But wherever the trees may be, there at their flowering season are to be found throngs of admirers. For in crowds people go out to see the sight, multitudes streaming incessantly to and fro beneath their blossoms as the time of day determines the turn of the human tide. To the Occidental stranger such a gathering suggests some social

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from To the Lighthouse by Virginia Woolf:

that Carrie Manning should still exist, that friendships, even the best of them, are frail things. One drifts apart. He reproached himself again. He was sitting beside Mrs Ramsay and he had nothing in the world to say to her.

"I'm so sorry," said Mrs Ramsy, turning to him at last. He felt rigid and barren, like a pair of boots that have been soaked and gone dry so that you can hardly force your feet into them. Yet he must force his feet into them. He must make himself talk. Unless he were very careful, she would find out this treachery of his; that he did not care a straw for her, and that would not be at all pleasant, he thought. So he bent his head courteously in her direction.


To the Lighthouse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hidden Masterpiece by Honore de Balzac:

journey."

"How so?" asked Frenhofer, surprised.

"Young Poussin is beloved by a woman whose incomparable beauty is without imperfection. But, my dear master, if he consents to lend her to you, at least you must let us see your picture."

The old man remained standing, motionless, in a state bordering on stupefaction. "What!" he at last exclaimed, mournfully. "Show my creature, my spouse?--tear off the veil with which I have chastely hidden my joy? It would be prostitution! For ten years I have lived with this woman; she is mine, mine alone! she loves me! Has she not smiled upon me as, touch by touch, I painted her? She has a soul,--the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Eugenie Grandet by Honore de Balzac:

lower end of the hall. As the two men reached the embrasure of the farthest window the priest said in the miser's ear: "Those people throw money out of the windows."

"What does that matter if it gets into my cellar?" retorted the old wine-grower.

"If you want to give gilt scissors to your daughter, you have the means," said the abbe.

"I give her something better than scissors," answered Grandet.

"My nephew is a blockhead," thought the abbe as he looked at the president, whose rumpled hair added to the ill grace of his brown countenance. "Couldn't he have found some little trifle which cost


Eugenie Grandet