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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of Writing by Robert Louis Stevenson:

efforts, only such indeed as came to a fair bulk ere they were desisted from; and even so they cover a long vista of years. 'Rathillet' was attempted before fifteen, 'The Vendetta' at twenty-nine, and the succession of defeats lasted unbroken till I was thirty-one. By that time, I had written little books and little essays and short stories; and had got patted on the back and paid for them - though not enough to live upon. I had quite a reputation, I was the successful man; I passed my days in toil, the futility of which would sometimes make my cheek to burn - that I should spend a man's energy upon this business, and yet could not

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Snow Image by Nathaniel Hawthorne:

into the town, with as light a step as if his day's journey had not already exceeded thirty miles, and with as eager an eye as if he were entering London city, instead of the little metropolis of a New England colony. Before Robin had proceeded far, however, it occurred to him that he knew not whither to direct his steps; so he paused, and looked up and down the narrow street, scrutinizing the small and mean wooden buildings that were scattered on either side.

"This low hovel cannot be my kinsman's dwelling," thought he, "nor yonder old house, where the moonlight enters at the broken casement; and truly I see none hereabouts that might be worthy of


The Snow Image
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

temporary shadow, the effect was subtly menacing in a way I can never hope to depict. Even the faint howling and piping of the unfelt wind in the great mountain passes behind us took on a wilder note of purposeful malignity. The last stage of our descent to the town was unusually steep and abrupt, and a rock outcropping at the edge where the grade changed led us to think that an artificial terrace had once existed there. Under the glaciation, we believed, there must be a flight of steps or its equivalent. When at last we plunged into the town itself, clambering over fallen masonry and shrinking from the oppressive nearness and dwarfing height


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Poems of William Blake by William Blake:

Nothing remains; O maid I tell thee, when I pass away. It is to tenfold life, to love, to peace, and raptures holy: Unseen descending, weigh my light wings upon balmy flowers: And court the fair eyed dew, to take me to her shining tent The weeping virgin, trembling kneels before the risen sun. Till we arise link'd in a golden band and never part: But walk united bearing food to all our tender flowers.

Dost thou O little cloud? I fear that I am not like thee: For I walk through the vales of Har, and smell the sweetest flowers: But I feed not the little flowers: I hear the warbling birds, But I feed not the warbling birds, they fly and seek their food:


Poems of William Blake