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Today's Stichomancy for Sidney Poitier

The first excerpt represents the past or something you must release, and is drawn from Lost Continent by Edgar Rice Burroughs:

great multitudes of men, women, and children fleeing toward the west. Soldiers, afoot and mounted, were joining the mad exodus. Now and then a camel or an elephant would pass bearing some officer or dignitary to safety. It was evident that the city would fall at any moment--a fact which was amply proclaimed by the terror-stricken haste of the fear- mad mob.

Horse, camel, and elephant trod helpless women and children beneath their feet. A common soldier dragged a general from his mount, and, leaping to the animal's back, fled down the packed street toward the west. A woman seized a gun and


Lost Continent
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Princess by Alfred Tennyson:

Remembering his ill-omened song, arose Once more through all her height, and o'er him grew Tall as a figure lengthened on the sand When the tide ebbs in sunshine, and he said:

'O fair and strong and terrible! Lioness That with your long locks play the Lion's mane! But Love and Nature, these are two more terrible And stronger. See, your foot is on our necks, We vanquished, you the Victor of your will. What would you more? Give her the child! remain Orbed in your isolation: he is dead,

The third excerpt represents the future or something you must embrace, and is drawn from Master and Man by Leo Tolstoy:

'You have money on you,' she continued in the same plaintive voice. 'What if the weather gets worse! Do take him, for goodness' sake!'

'Why? Don't I know the road that I must needs take a guide?' exclaimed Vasili Andreevich, uttering every word very distinctly and compressing his lips unnaturally, as he usually did when speaking to buyers and sellers.

'Really you ought to take him. I beg you in God's name!' his wife repeated, wrapping her shawl more closely round her head.

'There, she sticks to it like a leech! . . . Where am I to take him?'


Master and Man