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Today's Stichomancy for Sigmund Freud

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

She-mastiffs, ravenous, and swift of foot As greyhounds, who are issuing from the chain.

On him who had crouched down they set their teeth, And him they lacerated piece by piece, Thereafter bore away those aching members.

Thereat my Escort took me by the hand, And led me to the bush, that all in vain Was weeping from its bloody lacerations.

"O Jacopo," it said, "of Sant' Andrea, What helped it thee of me to make a screen? What blame have I in thy nefarious life?"


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Father Goriot by Honore de Balzac:

know where the lodgers are to drop down from. It drives me distracted. And that old witch of a Michonneau goes and takes Poiret with her! What can she have done to make him so fond of her? He runs about after her like a little dog."

"Lord!" said Sylvie, flinging up her head, "those old maids are up to all sorts of tricks."

"There's that poor M. Vautrin that they made out to be a convict," the widow went on. "Well, you know that is too much for me, Sylvie; I can't bring myself to believe it. Such a lively man as he was, and paid fifteen francs a month for his coffee of an evening, paid you very penny on the nail too."


Father Goriot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Main Street by Sinclair Lewis:

The houses were black specks on a white sheet. Her heart shivered with that still loneliness as her body shivered with the wind.

She ran back into the huddle of streets, all the while protesting that she wanted a city's yellow glare of shop-windows and restaurants, or the primitive forest with hooded furs and a rifle, or a barnyard warm and steamy, noisy with hens and cattle, certainly not these dun houses, these yards choked with winter ash-piles, these roads of dirty snow and clotted frozen mud. The zest of winter was gone. Three months more, till May, the cold might drag on, with the snow ever filthier, the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

soon have expected to hear small talk in a company of elephants as to hear old Mr. Bowden or Elijah Tilley and their two mates waste breath upon any form of trivial gossip. They made brief statements to one another from time to time. As you came to know them you wondered more and more that they should talk at all. Speech seemed to be a light and elegant accomplishment, and their unexpected acquaintance with its arts made them of new value to the listener. You felt almost as if a landmark pine should suddenly address you in regard to the weather, or a lofty-minded old camel make a remark as you stood respectfully near him under the circus tent.