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Today's Stichomancy for Simon Bolivar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

real presences to my imagination, as much as when they came fluttering down on the tiles with a cry that outscreamed the sharpest treble in the Te Deum. (Look at Carlyle's article on Boswell, and see how he speaks of the poor young woman Johnson talked with in the streets one evening.) All the crowd gone but these two "filles de la paroisse," - gone as utterly as the dresses they wore, as the shoes that were on their feet, as the bread and meat that were in the market on that day.

Not the great historical events, but the personal incidents that call up single sharp pictures of some human being in its pang or struggle, reach us most nearly. I remember the platform at Berne,


The Autocrat of the Breakfast-Table
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Enemies of Books by William Blades:

Occasionally these libraries were (I speak of thirty years ago) put even to vile uses, such as would have shocked all ideas of propriety could our ancestors have foreseen their fate.

I recall vividly a bright summer morning many years ago, when, in search of Caxtons, I entered the inner quadrangle of a certain wealthy College in one of our learned Universities. The buildings around were charming in their grey tones and shady nooks. They had a noble history, too, and their scholarly sons were (and are) not unworthy successors of their ancestral renown. The sun shone warmly, and most of the casements were open. From one came curling a whiff of tobacco; from another

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Long Odds by H. Rider Haggard:

dense pall of smoke and backed by the fiery furnace of the burning reeds.

"I reckoned that they would pass, on their way to the bushy kloof, within about five and twenty yards of me, so, taking a long breath, I got my gun well on to the lion's shoulder--the black-maned one--so as to allow for an inch or two of motion, and catch him through the heart. I was on, dead on, and my finger was just beginning to tighten on the trigger, when suddenly I went blind--a bit of reed-ash had drifted into my right eye. I danced and rubbed, and succeeded in clearing it more or less just in time to see the tail of the last lion vanishing round the bushes up the kloof.


Long Odds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

enormous hinterland of a great river, up where the maps had to be made, savage dialects studied, and all manner of strange flora and fauna expected.

But this story is not about that expedition. That was only the merest starter for ours.

My interest was first roused by talk among our guides. I'm quick at languages, know a good many, and pick them up readily. What with that and a really good interpreter we took with us, I made out quite a few legends and folk myths of these scattered tribes.

And as we got farther and farther upstream, in a dark tangle


Herland