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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Juana by Honore de Balzac:

when the husband and wife changed parts she felt for him the true and deep interest she had hitherto shown to him as a matter of duty only. If that man had been more consistent in his life; if he had not destroyed by fitful inconstancy and restlessness the forces of a true though excitable sensibility, Juana would doubtless have loved him in the end. Unfortunately, he was a type of those southern natures which are keen in perceptions they cannot follow out; capable of great things over-night, and incapable the next morning; often the victim of their own virtues, and often lucky through their worst passions; admirable men in some respects, when their good qualities are kept to a steady energy by some outward bond. For two years after his retreat

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

borrow their instantaneous flame from the nether fires of Tophet.

In short, to bring the matter at once to a point, it was incontrovertibly evident that somebody had taken the shop and fixtures of the long-retired and forgotten Mr. Pyncheon, and was about to renew the enterprise of that departed worthy, with a different set of customers. Who could this bold adventurer be? And, of all places in the world, why had he chosen the House of the Seven Gables as the scene of his commercial speculations?

We return to the elderly maiden. She at length withdrew her eyes from the dark countenance of the Colonel's portrait, heaved a sigh, --indeed, her breast was a very cave of Aolus that morning, --and


House of Seven Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

peacefully. In a corner of the room the Man was fastening his braces.

"What do you mean by sleeping like this the whole night through--like a sack of potatoes? You've let the baby wet his bed twice."

She did not answer, but tied her petticoat string, and buttoned on her plaid frock with cold, shaking fingers.

"There, that's enough. Take the baby into the kitchen with you, and heat that cold coffee on the spirit lamp for the master, and give him the loaf of black bread out of the table drawer. Don't guzzle it yourself or I'll know."

The Frau staggered across the room, flung herself on to her bed, drawing the pink bolster round her shoulders.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

He stirred the smoldering ashes till the broiled fowl began to sizzle afresh. He served her with no mean repast, dripping the coffee anew and sharing it with her. Madame Antoine had cooked little else than the mullets, but while Edna slept Robert had foraged the island. He was childishly gratified to discover her appetite, and to see the relish with which she ate the food which he had procured for her.

"Shall we go right away?" she asked, after draining her glass and brushing together the crumbs of the crusty loaf.

"The sun isn't as low as it will be in two hours," he answered.


Awakening & Selected Short Stories