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Today's Stichomancy for Snoop Dogg

The first excerpt represents the past or something you must release, and is drawn from The Call of the Canyon by Zane Grey:

I don't know how. In the city, producers, merchants, waiters serve you for money. The meal is a transaction. It has no significance. It is money that keeps you from starvation. But in the West money doesn't mean much. You must work to live."

Carley leaned her elbows on the table and gazed at him curiously and admiringly. "Old fellow, you're a wonder. I can't tell you how proud I am of you. That you could come West weak and sick, and fight your way to health, and learn to be self-sufficient! It is a splendid achievement. It amazes me. I don't grasp it. I want to think. Nevertheless I--"

"What?" he queried, as she hesitated.

"Oh, never mind now," she replied, hastily, averting her eyes.


The Call of the Canyon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

disputatious rather than a meditative mood--"you have erred perhaps in attempting to put color and life into each of your statements instead of confining yourself to the task of placing upon record that severe reasoning from cause to effect which is really the only notable feature about the thing."

"It seems to me that I have done you full justice in the matter," I remarked with some coldness, for I was repelled by the egotism which I had more than once observed to be a strong factor in my friend's singular character.

"No, it is not selfishness or conceit," said he, answering, as was his wont, my thoughts rather than my words. "If I claim full


The Adventures of Sherlock Holmes
The third excerpt represents the future or something you must embrace, and is drawn from Lady Baltimore by Owen Wister:

the embroidered souvenirs, the new food, and the old family "pieces."

So this delightful girl was a verbal skirmisher! Now nothing is more to my liking than the verbal skirmish, and therefore I began one immediately. "I see you quite know," was the first light shot that I hazarded.

Her retort to this was merely a very bland and inquiring stare.

I now aimed a trifle nearer the mark. "About him--her--it! Since you practically live in the Exchange, how can you exactly help yourself?"

Her laughter came back. "It's all, you know, so much later than 1812."

"Later! Why, a lot of it is to happen yet!"

She leaned over the counter. "Tell me what you know about it," she said