| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: The sight of a line of battle of twenty thousand Isosceles suddenly
facing about, and exchanging the sombre black of their bases for
the orange and purple of the two sides including their acute angle;
the militia of the Equilateral Triangles tricoloured in red, white,
and blue; the mauve, ultra-marine, gamboge, and burnt umber
of the Square artillerymen rapidly rotating near their vermilion guns;
the dashing and flashing of the five-coloured and six-coloured
Pentagons and Hexagons careering across the field in their offices
of surgeons, geometricians and aides-de-camp -- all these may well
have been sufficient to render credible the famous story
how an illustrious Circle, overcome by the artistic beauty
 Flatland: A Romance of Many Dimensions |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Psychology of Revolution by Gustave le Bon: in a single subject, such as the cases cited by Morton Prince and
Pierre Janet.
In all these variations of personality it is not the intelligence
which is modified, but the feelings, whose association forms the
character.
2. Elements of Character Predominant in Time of Revolution.
During revolution we see several sentiments developed which are
commonly repressed, but to which the destruction of social
constraints gives a free vent.
These constraints, consisting of the law, morality, and
tradition, are not always completely broken. Some survive the
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