Today's Stichomancy for Sofia Vergara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gone With the Wind by Margaret Mitchell:

"You'll do nothing of the kind! What earthly good would Ashley do at work if he was worried about you every minute? Everybody is just so hateful! Even Uncle Peter refuses to go out with me! But I don't care! I'll go alone. I'll walk every step of the way and pick up a crew of darkies somewhere--"

"Oh, no! You mustn't do that! Something dreadful might happen to you. They say that Shantytown settlement on the Decatur road is just full of mean darkies and you'd have to pass right by it. Let me think-- Darling, promise me you won't do anything today and I'll think of something. Promise me you'll go home and lie down. You look right peaked. Promise me."

Gone With the Wind

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Message by Honore de Balzac:

sobbing and crying like a child, but there was a more poignant, more piteous sound in the sobs. There was nothing left in the world for her. The maid pulled the hay from her, her mistress submitting with the supine listlessness of a dying animal. The maid could find nothing to say but "There! madame; there, there----"

"What is the matter with her? What is it, niece?" the old canon kept on exclaiming.

At last, with the girl's help, I carried Juliette to her room, gave orders that she was not to be disturbed, and that every one must be told that the Countess was suffering from a sick

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Confidence by Henry James:

he drew comfort from the reflection that he was not thinking well. To let it gradually filter into one's mind, through a superficial complexity of more reverent preconceptions, that she was an extremely clever coquette--this, surely, was not to think well! Bernard had luminous glimpses of another situation, in which Angela Vivian's coquetry should meet with a different appreciation; but just now it was not an item to be entered on the credit side of Wright's account. Bernard wiped his pen, mentally speaking, as he made this reflection, and felt like a grizzled old book-keeper, of incorruptible probity. He saw her, as I have said, very often; she continued to break her vow of shutting herself up, and at the end of a fortnight she had

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The White Moll by Frank L. Packard:

Gypsy Nan's directions for finding the spring of the secret drawer. She forced herself to think of anything that would bar the entry of that fear which stood lurking at the threshold of her mind.

From time to time she consulted her watch - and each time hurried the faster.

It was five minutes past one when, stealing silently along a black lane, and counting against the skyline the same number of buildings she had previously counted on the street from the corner, she entered an equally black yard, and reached the back door of Skarbolov's little store. She felt out with her hands and found the padlock, and her fingers pressed on the link in the chain that