| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Sawyer Abroad by Mark Twain: what he's paintin' her for, en he say when he git her
painted, de picture's wuth a hundred dollars. Mars
Tom, he could a got de cow fer fifteen, en I tole him
so. Well, sah, if you'll b'lieve me, he jes' shuck his
head, dat painter did, en went on a-dobbin'. Bless
you, Mars Tom, DEY don't know nothin'."
Tom lost his temper. I notice a person 'most always
does that's got laid out in an argument. He told us to
shut up, and maybe we'd feel better. Then he see a
town clock away off down yonder, and he took up the
glass and looked at it, and then looked at his silver
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeneid by Virgil: And now, resign'd to your superior might,
And tir'd with fruitless toils, I loathe the fight.
This let me beg (and this no fates withstand)
Both for myself and for your father's land,
That, when the nuptial bed shall bind the peace,
(Which I, since you ordain, consent to bless,)
The laws of either nation be the same;
But let the Latins still retain their name,
Speak the same language which they spoke before,
Wear the same habits which their grandsires wore.
Call them not Trojans: perish the renown
 Aeneid |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of Unrest by Joseph Conrad: the marquise, gaily. "But, ma chere amie," argued the husband,
seriously, "it's most important that the right man should be mayor
this year, because of the elections to the Chamber. If you think it
amuses me . . ."
Jean-Pierre had surrendered to his wife's mother. Madame Levaille was
a woman of business, known and respected within a radius of at least
fifteen miles. Thick-set and stout, she was seen about the country, on
foot or in an acquaintance's cart, perpetually moving, in spite of her
fifty-eight years, in steady pursuit of business. She had houses in
all the hamlets, she worked quarries of granite, she freighted
coasters with stone--even traded with the Channel Islands. She was
 Tales of Unrest |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac: looking at Augustine with an inimitable gleam of shrewdness and grace.
"The Duc de Carigliano adores me," said she. "Well, he dare not enter
by this door without my leave. And he is a man in the habit of
commanding thousands of soldiers. He knows how to face a battery, but
before me,--he is afraid!"
Augustine sighed. They entered a sumptuous gallery, where the
painter's wife was led by the Duchess up to the portrait painted by
Theodore of Mademoiselle Guillaume. On seeing it, Augustine uttered a
cry.
"I knew it was no longer in my house," she said, "but--here!----"
"My dear child, I asked for it merely to see what pitch of idiocy a
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