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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Heap O' Livin' by Edgar A. Guest:

An' growls at peddler men that's bad. While grown-ups were afraid of Jim, Kids could do anything with him.

One day a little boy like me That had a sister Marjorie, Was walking through the woods, an' they Heard something "woofing" down that way, An' they was scared an' stood stock still An' wished they had a gun to kill Whatever 'twas, but little boys Don't have no guns that make a noise.


A Heap O' Livin'
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

about the city; and the well-fed heart sits lightly and beats gaily in the - bosom. It is New-year's weather.

New-year's Day, the great national festival, is a time of family expansions and of deep carousal. Sometimes, by a sore stoke of fate for this Calvinistic people, the year's anniversary fails upon a Sunday, when the public-houses are inexorably closed, when singing and even whistling is banished from our homes and highways, and the oldest toper feels called upon to go to church. Thus pulled about, as if between two loyalties, the Scotch have to decide many nice cases of conscience, and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Sportsman by Xenophon:

them only to find himself back again ere along at the same place,[3] he must make a series of circuits and sweep round the medley of tracks, till he finds out where they really lead.[4]

[1] Lit. "I say it is no use setting out with dogs to this chase."

[2] {kaei}. Cf. Arrian, xiv. 5.

[3] Reading {ekonta} sc. {ton kunegeten . . .} or if {ekonta, kuklous} [sc. {ta ikhne}], transl. "if the tracks are involved, doubling on themselves and coming back eventually to the same place."

[4] Or, "where the end of the string is."

The hare makes many windings, being at a loss to find a resting-place, and at the same time she is accustomed to deal subtly[5] in her method

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In the South Seas by Robert Louis Stevenson:

what sense of envy or design of mischief; his white, handsome face (which I beheld with loathing) looked in upon us at all hours across the fence; and once, from a safe distance, he avenged himself by shouting a recondite island insult, to us quite inoffensive, on his English lips incredibly incongruous.

Our enclosure, round which this composite of degradations wandered, was of some extent. In one corner was a trellis with a long table of rough boards. Here the Fourth of July feast had been held not long before with memorable consequences, yet to be set forth; here we took our meals; here entertained to a dinner the king and notables of Makin. In the midst was the house, with a verandah