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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nada the Lily by H. Rider Haggard:

What does it matter? They would have been dead now anyway. It does not matter; nothing matters, except being born. That is a mistake, my father.

We stopped at the kraal that night, but we could not sleep, for we heard the Itongo, the ghosts of the dead people, moving about and calling to each other. It was natural that they should do so; men were looking for their wives, and mothers for their children. But we were afraid that they might be angry with us for being there, so we clung together and trembled in each other's arms. Koos also trembled, and from time to time he howled loudly. But they did not seem to see us, and towards morning their cries grew fainter.


Nada the Lily
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eryxias by Platonic Imitator:

And when you pray to the Gods that you may do well and receive good, you mean by your prayer nothing else than that you desire to become good and wise:--if, at least, things are good to the good and wise and evil to the evil. But in that case, if virtue is acquired by instruction, it would appear that you only pray to be taught what you do not know.

Hereupon I said to Prodicus that it was no misfortune to him if he had been proved to be in error in supposing that the Gods immediately granted to us whatever we asked:--if, I added, whenever you go up to the Acropolis you earnestly entreat the Gods to grant you good things, although you know not whether they can yield your request, it is as though you went to the doors of the grammarian and begged him, although you had never made a study of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle by Upton Sinclair:

Quick! Who took you to that place?"

She tried to get away, making him furious; he thought it was fear, of the pain of his clutch--he did not understand that it was the agony of her shame. Still she answered him, "Connor."

"Connor," he gasped. "Who is Connor?"

"The boss," she answered. "The man--"

He tightened his grip, in his frenzy, and only when he saw her eyes closing did he realize that he was choking her. Then he relaxed his fingers, and crouched, waiting, until she opened her lids again. His breath beat hot into her face.

"Tell me," he whispered, at last, "tell me about it."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

to grasp another branch in a neighboring tree, and so on, while the Jaguar followed him from below, his eyes fixed steadfastly on his prey. But presently Woot got his feet tangled in the Lace Apron, which he was still wearing, and that tripped him in his flight and made him fall to the ground, where the Jaguar placed one huge paw upon him and said grimly: I've got you, now!" The fact that the Apron had tripped him made Woot remember its magic powers, and in his terror he cried out: "Open!" without stopping to consider how this


The Tin Woodman of Oz