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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Koran:

leave the sea in quiet-verily, they are a host to be drowned! How many gardens and springs have they left, and corn lands and a noble place, and comfort wherein they did enjoy themselves!

Thus-and we gave them for an inheritance to another people. And the heaven wept not for them, nor the earth, nor were they respited.

But we saved the children of Israel from shameful woe!- from Pharaoh; verily, he was haughty, one of the extravagant! And we did choose them, wittingly, above the worlds; and we gave them signs wherein was an obvious trial!

Verily, these I say, I It is but our first death, so bring our fathers, if ye do speak the truth!'


The Koran
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bureaucracy by Honore de Balzac:

Celestine's ambition, Rabourdin had long considered the means of satisfying it, though he hid his hopes, so as to spare her the tortures of uncertainty. The man was firmly resolved to make his way in the administration by bringing a strong light to bear upon it. He intended to bring about one of those revolutions which send a man to the head of either one party or another in society; but being incapable of so doing in his own interests, he merely pondered useful thoughts and dreamed of triumphs won for his country by noble means. His ideas were both generous and ambitious; few officials have not conceived the like; but among officials as among artists there are more miscarriages than births; which is tantamount to Buffon's saying

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Almayer's Folly by Joseph Conrad:

unworthy to associate with brave Malay chiefs. It ended generally by Almayer rising slowly, his long pipe in hand, his face set into a look of inward pain, and walking away in silence. He descended the steps and plunged into the long grass on his way to the solitude of his new house, dragging his feet in a state of physical collapse from disgust and fear before that fury. She followed to the head of the steps, and sent the shafts of indiscriminate abuse after the retreating form. And each of those scenes was concluded by a piercing shriek, reaching him far away. "You know, Kaspar, I am your wife! your own Christian wife after your own Blanda law!" For she knew that this was the


Almayer's Folly
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Alkahest by Honore de Balzac:

the window in an arch, supported at its apex by the head-piece of a cross, which divided the glass sashes in four unequal parts; for the transversal bar, placed at the height of that in a Latin cross, made the lower sashes of the window nearly double the height of the upper, the latter rounding at the sides into the arch. The coping of the arch was ornamented with three rows of brick, placed one above the other, the bricks alternately projecting or retreating to the depth of an inch, giving the effect of a Greek moulding. The glass panes, which were small and diamond-shaped, were set in very slender leading, painted red. The walls of the house, of brick jointed with white mortar, were braced at regular distances, and at the angles of the