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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral.

"If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers."

"Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here


Anne of Green Gables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

Acriter utrimque usque ad vesperum pugnatum est. Solis occasu suas copias Ariovistus multis et inlatis et acceptis vulneribus in castra reduxit.

Cum ex captivis quaereret Caesar quam ob rem Ariovistus proelio non decertaret, hanc reperiebat causam, quod apud Germanos ea consuetudo esset ut matres familiae eorum sortibus et vaticinationibus declararent utrum proelium committi ex usu esset necne; eas ita dicere: non esse fas Germanos superare, si ante novam lunam proelio contendissent.

Postridie eius diei Caesar praesidio utrisque castris quod satis esse visum est reliquit, alarios omnes in conspectu hostium pro castris minoribus constituit, quod minus multitudine militum legionariorum pro hostium numero valebat, ut ad speciem alariis uteretur; ipse triplici

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Redheaded Outfield by Zane Grey:

to catch them off the base, but enough of a possibility to make them careful, so he held them close.

The Rube pitched a strike to Manning, then another. That made eight strikes square over the plate that inning. What magnificent control! It was equaled by the implacable patience of those veteran Bisons. Manning hit the next ball as hard as Carl had hit his. But Mullaney plunged down, came up with the ball, feinted to fool Carl, then let drive to Gregg to catch the fleeting Shultz.


The Redheaded Outfield