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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moll Flanders by Daniel Defoe:

wife could be, and he was more than satisfied on the whole when the particulars were put together, but that this offer was so kind, that it was more than he could express.

To bring the story short, we agreed to go. He told me that he had a very good house there, that it was well furnished, that his mother was alive and lived in it, and one sister, which was all the relations he had; that as soon as he came there, his mother would remove to another house, which was her own for life, and his after her decease; so that I should have all the house to myself; and I found all this to be exactly as he had said.


Moll Flanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

"Ah, what deh hell?" urged Pete.

The girl retreated nervously.

"Ah, what deh hell?" repeated he.

Maggie darted into the hall, and up the stairs. She turned and smiled at him, then disappeared.

Pete walked slowly down the street. He had something of an astonished expression upon his features. He paused under a lamp- post and breathed a low breath of surprise.

"Gawd," he said, "I wonner if I've been played fer a duffer."

Chapter VIII

As thoughts of Pete came to Maggie's mind, she began to have


Maggie: A Girl of the Streets
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Brothers by Honore de Balzac:

vintage will keep a century. This reason, given by the vine-grower in excuse for his obstinacy, is of sufficient importance to oenology to be made public here; Guillaume le Breton has also proclaimed it in some lines of his "Phillippide."

The decline of Issoudun is explained by this spirit of sluggishness, sunken to actual torpor, which a single fact will illustrate. When the authorities were talking of a highroad between Paris and Toulouse, it was natural to think of taking it from Vierzon to Chateauroux by way of Issoudun. The distance was shorter than to make it, as the road now is, through Vatan, but the leading people of the neighborhood and the city council of Issoudun (whose discussion of the matter is said to be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

by the horns, helps it to get on to its legs. . . . The jolt is followed by a stillness again. The sounds of crunching snow come from under the van again, and it seems as though the train had moved back a little.

"There will be another jolt in a minute," says the old man. And the convulsive quiver does, in fact, run along the train, there is a crashing sound and the bullocks fall on one another again.

"It's a job!" says Yasha, listening. "The train must be heavy. It seems it won't move."

"It was not heavy before, but now it has suddenly got heavy. No, my lad, the guard has not gone shares with him, I expect. Go and


The Schoolmistress and Other Stories