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Today's Stichomancy for Stephen Colbert

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske:

are getting discussed,--that sort of political talent for which the English races are distinguished, and to the lack of which so many of the political failures of the French are egregiously due. One would suppose that a judicature of the whole town would be likely to execute a sorry parody of justice; yet justice was by no means ill-administered at Athens. Even the most unfortunate and disgraceful scenes,--as where the proposed massacre of the Mytilenaians was discussed, and where summary retribution was dealt out to the generals who had neglected their duty at Arginusai,--even these scenes furnish, when thoroughly examined, as by Mr. Grote, only the more convincing proof that the Athenian


The Unseen World and Other Essays
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Babbitt by Sinclair Lewis:

through strike-breaking girls, danced helplessly. Every truck that made its way from the factories to the freight-stations was guarded by a policeman, trying to look stoical beside the scab driver. A line of fifty trucks from the Zenith Steel and Machinery Company was attacked by strikers-rushing out from the sidewalk, pulling drivers from the seats, smashing carburetors and commutators, while telephone girls cheered from the walk, and small boys heaved bricks.

The National Guard was ordered out. Colonel Nixon, who in private life was Mr. Caleb Nixon, secretary of the Pullmore Tractor Company, put on a long khaki coat and stalked through crowds, a .44 automatic in hand. Even Babbitt's friend, Clarence Drum the shoe merchant--a round and merry man who told

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

be a fine translation! So I have to let the literal words go and try to discover how the German says what the Hebrew "ish chamudoth" expresses. I discover that the German says this, "You dear Daniel", "you dear Mary", or "you gracious maiden", "you lovely maiden", "you gentle girl" and so on. A translator must have a large vocabulary so he can have more words for when a particular one just does not fit in the context.

Why should I talk about translating so much? I would need an entire year were I to point out the reasons and concerns behind my words. I have learned what an art and job translating is by experience, so I will not tolerate some papal ass or mule as my

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Agesilaus by Xenophon:

back to join their friends, began advancing sturdily.

[7] Lit. "a stade."

[8] Lit. "three plethra."

To assert that Agesilaus at this crisis displayed real valour is to assert a thing indisputable, but for all that the course he adopted was not the safest. It was open to him to let the enemy pass in their effort to rejoin their friends, and that done to have hung upon their heels and overmastered their rear ranks, but he did nothing of the sort: what he did was, to crash front to front against the Thebans. And so with shields interlocked they shoved and fought and fought and shoved, dealing death and yielding life. There was no shouting, nor