| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Talisman by Walter Scott: were allowed to share freely in the wine, which flowed round in
large quantities, their licensed tumult was the more excessive.
All this while, and in the midst of a clamour and confusion which
would better have become a German tavern during a fair than the
tent of a sovereign prince, the Archduke was waited upon with a
minuteness of form and observance which showed how anxious he was
to maintain rigidly the state and character to which his
elevation had entitled him. He was served on the knee, and only
by pages of noble blood, fed upon plate of silver, and drank his
Tokay and Rhenish wines from a cup of gold. His ducal mantle was
splendidly adorned with ermine, his coronet might have equalled
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Secret Adversary by Agatha Christie: Her state is probably to be attributed to the mental shock
consequent on recovering her memory."
"It's come back?" cried Julius excitedly.
Sir James tapped the table rather impatiently.
"Undoubtedly, Mr. Hersheimmer, since she was able to give her
real name. I thought you had appreciated that point."
"And you just happened to be on the spot," said Tommy. "Seems
quite like a fairy tale."
But Sir James was far too wary to be drawn.
"Coincidences are curious things," he said dryly.
Nevertheless Tommy was now certain of what he had before only
 Secret Adversary |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Two Poets by Honore de Balzac: the artless ways of childhood; he thought aloud, took you into his
confidence concerning the smallest details of his existence, his
physical wants, the small sensations which did duty for ideas with
him. He never talked about the weather, nor did he indulge in the
ordinary commonplaces of conversation--the way of escape provided for
weak intellects; he plunged you into the most intimate and personal
topics.
"I took veal this morning to please Mme. de Bargeton, who is very fond
of veal, and my stomach has been very uneasy since," he would tell
you. "I knew how it would be; it never suits me. How do you explain
it?" Or, very likely--
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales and Fantasies by Robert Louis Stevenson: himself staggering, instead, among the iron furrows of a
ploughland, endless, it seemed, as a whole county. And next
he was in a wood, beating among young trees; and then he was
aware of a house with many lighted windows, Christmas
carriages waiting at the doors, and Christmas drivers (for
Christmas has a double edge) becoming swiftly hooded with
snow. From this glimpse of human cheerfulness, he fled like
Cain; wandered in the night, unpiloted, careless of whither
he went; fell, and lay, and then rose again and wandered
further; and at last, like a transformation scene, behold him
in the lighted jaws of the city, staring at a lamp which had
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