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Today's Stichomancy for Steve McQueen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In Darkest England and The Way Out by General William Booth:

material in his district. It is contrary to all previous experience to suppose that the addition of so much trained intelligence will not operate beneficially in securing the disposal of a commodity which is at present a drug in the market.

Robertson, of Brighton, used frequently to remark that every truth was built up of two apparent contradictory propositions. In the same way I may say that the solution of every social difficulty is to be found in the discovery of two corresponding difficulties. It is like the puzzle maps of children. When you are putting one together, you suddenly come upon some awkward piece that will not fit in anywhere, but you do not in disgust and despair break your piece into fragments or throw it


In Darkest England and The Way Out
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memories and Portraits by Robert Louis Stevenson:

Englishman of Byron's age, character, and history would have had patience for long theological discussions on the way to fight for Greece; but the daft Gordon blood and the Aberdonian school-days kept their influence to the end. We have spoken of the material conditions; nor need much more be said of these: of the land lying everywhere more exposed, of the wind always louder and bleaker, of the black, roaring winters, of the gloom of high-lying, old stone cities, imminent on the windy seaboard; compared with the level streets, the warm colouring of the brick, the domestic quaintness of the architecture, among which English children begin to grow up and come to themselves in life. As the stage of the University

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

Fontainebleau is hardly anywhere tedious. I know the whole western side of it with what, I suppose, I may call thoroughness; well enough at least to testify that there is no square mile without some special character and charm. Such quarters, for instance, as the Long Rocher, the Bas-Breau, and the Reine Blanche, might be a hundred miles apart; they have scarce a point in common beyond the silence of the birds. The two last are really conterminous; and in both are tall and ancient trees that have outlived a thousand political vicissitudes. But in the one the great oaks prosper placidly upon an even floor; they beshadow a great field; and the air and the light are very free below their stretching boughs. In

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Midsummer Night's Dream by William Shakespeare:

From sleeping Hermia? Ile beleeue as soone This whole earth may be bord, and that the Moone May through the Center creepe, and so displease Her brothers noonetide, with th'Antipodes. It cannot be but thou hast murdred him, So should a murtherer looke, so dead, so grim

Dem. So should the murderer looke, and so should I, Pierst through the heart with your stearne cruelty: Yet you the murderer lookes as bright as cleare, As yonder Venus in her glimmering spheare

Her. What's this to my Lysander? where is he?


A Midsummer Night's Dream