| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Myths and Myth-Makers by John Fiske: lxxxii
Closely connected with the Gellert myth are the stories of
Faithful John and of Rama and Luxman. In the German story,
Faithful John accompanies the prince, his master, on a journey
in quest of a beautiful maiden, whom he wishes to make his
bride. As they are carrying her home across the seas, Faithful
John hears some crows, whose language he understands,
foretelling three dangers impending over the prince, from
which his friend can save him only by sacrificing his own
life. As soon as they land, a horse will spring toward the
king, which, if he mounts it, will bear him away from his
 Myths and Myth-Makers |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Death of the Lion by Henry James: wasn't an immediate exposure of everything just what the public
wanted? Mr. Pinhorn effectually called me to order by reminding me
of the promptness with which I had met Miss Braby at Liverpool on
her return from her fiasco in the States. Hadn't we published,
while its freshness and flavour were unimpaired, Miss Braby's own
version of that great international episode? I felt somewhat
uneasy at this lumping of the actress and the author, and I confess
that after having enlisted Mr. Pinhorn's sympathies I
procrastinated a little. I had succeeded better than I wished, and
I had, as it happened, work nearer at hand. A few days later I
called on Lord Crouchley and carried off in triumph the most
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther: 16. Videntur infernus, purgaturium, celum differre, sicut
desperatio, prope desperatio, securitas differunt.
17. Necessarium videtur animabus in purgatorio sicut minni
horrorem ita augeri charitatem.
18. Nec probatum videtur ullis aut rationibus aut scripturis, quod
sint extra statum meriti seu augende charitatis.
19. Nec hoc probatum esse videtur, quod sint de sua beatitudine
certe et secure, saltem omnes, licet nos certissimi simus.
20. Igitur papa per remissionem plenariam omnium penarum non
simpliciter omnium intelligit, sed a seipso tantummodo
impositarum.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow: that Longfellow used as the basis for The Song of Hiawatha.
Longfellow began Hiawatha on June 25, 1854, he completed it
on March 29, 1855, and it was published November 10, 1855. As
soon as the poem was published its popularity was assured.
However, it also was severely criticized as a plagiary of the
Finnish epic poem Kalevala. Longfellow made no secret of the
fact that he had used the meter of the Kalevala; but as for the
legends, he openly gave credit to Schoolcraft in his notes to the
poem.
I would add a personal note here. My father's roots include
Ojibway Indians: his mother, Margaret Caroline Davenport, was a
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