| The first excerpt represents the past or something you must release, and is drawn from Seraphita by Honore de Balzac: call darkness; those of Mercury abhor the expression of ideas by
speech, which seems to them too material,--their language is ocular;
those of Saturn are continually tempted by evil spirits; those of the
Moon are as small as six-year-old children, their voices issue from
the abdomen, on which they crawl; those of Venus are gigantic in
height, but stupid, and live by robbery,--although a part of this
latter planet is inhabited by beings of great sweetness, who live in
the love of Good. In short, he describes the customs and morals of all
the peoples attached to the different globes, and explains the general
meaning of their existence as related to the universe in terms so
precise, giving explanations which agree so well with their visible
 Seraphita |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Barnaby Rudge by Charles Dickens: every wish and desire to be happy. I did, indeed.'
'What do I complain of!' retorted his wife. 'Is it a chilling
thing to have one's husband sulking and falling asleep directly he
comes home--to have him freezing all one's warm-heartedness, and
throwing cold water over the fireside? Is it natural, when I know
he went out upon a matter in which I am as much interested as
anybody can be, that I should wish to know all that has happened,
or that he should tell me without my begging and praying him to do
it? Is that natural, or is it not?'
'I am very sorry, Martha,' said the good-natured locksmith. 'I was
really afraid you were not disposed to talk pleasantly; I'll tell
 Barnaby Rudge |
The third excerpt represents the future or something you must embrace, and is drawn from A House of Pomegranates by Oscar Wilde: Madrid that he might cure the King's melancholy by the sweetness of
his voice, she took out of her hair the beautiful white rose, and
partly for a jest and partly to tease the Camerera, threw it to him
across the arena with her sweetest smile, he took the whole matter
quite seriously, and pressing the flower to his rough coarse lips
he put his hand upon his heart, and sank on one knee before her,
grinning from ear to ear, and with his little bright eyes sparkling
with pleasure.
This so upset the gravity of the Infanta that she kept on laughing
long after the little Dwarf had ran out of the arena, and expressed
a desire to her uncle that the dance should be immediately
|