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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon:

lance reversed and plying the butt end. The other pursues, with buttons on his javelins and his lance similarly handled.[10] Whenever he comes within javelin range he lets fly at the retreating foeman with his blunted missiles; or whenever within spear thrust he deals the overtaken combatant a blow. In coming to close quarters, it is a good plan first to drag the foeman towards oneself, and then on a sudden to thrust him off; that is a device to bring him to the ground.[11] The correct plan for the man so dragged is to press his horse forward: by which action the man who is being dragged is more likely to unhorse his assailant than to be brought to the ground himself.


On Horsemanship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Emerald City of Oz by L. Frank Baum:

rabbits carried lorgnettes, while many of the gentlemen rabbits wore monocles in their left eyes.

The courtiers and their ladies paraded past the King, who introduced Princess Dorothy to each couple in a very graceful manner. Then the company seated themselves in chairs and on sofas and looked expectantly at their monarch.

"It is our royal duty, as well as our royal pleasure," he said, "to provide fitting entertainment for our distinguished guest. We will now present the Royal Band of Whiskered Friskers."

As he spoke the musicians, who had arranged themselves in a corner, struck up a dance melody while into the room pranced the Whiskered


The Emerald City of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Research Magnificent by H. G. Wells:

had happened in any terms that would be tolerable either to Mrs. Skelmersdale or Lady Marayne. The thing had happened with the suddenness of a revelation. Whatever had been going on in the less illuminated parts of his mind, his manifest resolution had been merely to bid South Harting good-bye-- And in short they would never understand. They would accuse him of the meanest treachery. He could see his mother's face, he could hear her voice saying, "And so because of this sudden infatuation for a swindler's daughter, a girl who runs about the roads with a couple of retrievers hunting for a man, you must spoil all my plans, ruin my year, tell me a lot of pretentious stuffy lies. . . ." And Mrs. Skelmersdale too would

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of War by Sun Tzu:

7. HEAVEN signifies night and day, cold and heat, times and seasons. [The commentators, I think, make an unnecessary mystery of two words here. Meng Shih refers to "the hard and the soft, waxing and waning" of Heaven. Wang Hsi, however, may be right in saying that what is meant is "the general economy of Heaven," including the five elements, the four seasons, wind and clouds, and other phenomena.]

8. EARTH comprises distances, great and small; danger and security; open ground and narrow passes; the chances of life and


The Art of War