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Today's Stichomancy for T. S. Eliot

The first excerpt represents the past or something you must release, and is drawn from The Economist by Xenophon:

difficulty. I use a phrase of those who, whatever the nicety with which they treat the art in theory,[3] have but the faintest practical experience of tillage. What they assert is, that "he who would rightly till the soil must first be made acquainted with the nature of the earth."

[1] "They term"; in reference to the author of some treatise.

[2] Or, "the riddling subtlety of tillage." See "Mem." II. iii. 10; Plat. "Symp." 182 B; "Phileb." 53 E.

[3] Theophr. "De Caus." ii. 4, 12, mentions Leophanes amongst other writers on agriculture preceding himself.

And they are surely right in their assertion (I replied); for he who

The second excerpt represents the present or the deciding factor of the moment, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

The frigate was then in 31@ 15' N. lat. and 136@ 42' E. long. The coast of Japan still remained less than two hundred miles to leeward. Night was approaching. They had just struck eight bells; large clouds veiled the face of the moon, then in its first quarter. The sea undulated peaceably under the stern of the vessel.

At that moment I was leaning forward on the starboard netting. Conseil, standing near me, was looking straight before him. The crew, perched in the ratlines, examined the horizon which contracted and darkened by degrees. Officers with their night glasses scoured the growing darkness: sometimes the ocean sparkled under the rays of the moon, which darted between two clouds,


20,000 Leagues Under the Sea
The third excerpt represents the future or something you must embrace, and is drawn from The Heritage of the Desert by Zane Grey:

The first fellow who bent over Snap happened to be the Nebraska rustler, and he curiously opened the breech of the six-shooter he picked up." No shells!" he said. He pulled Snap's second Colt from his belt, and unbreeched that."No shells! Well, d--n me!" He surveyed the group of grim men, not one of whom had any reply.

Holderness again laughed harshly, and turning to the cabin, he fastened the door with a lasso.

It was a long time before Hare recovered from the starting revelation of the plot which had put Mescal into Holderness's power. Bad as Snap Naab had been he would have married her, and such a fate was infinitely preferable to the one that now menaced her. Hare changed his position


The Heritage of the Desert