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Today's Stichomancy for Terry Gilliam

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Last War: A World Set Free by H. G. Wells:

members the likenesses of gods. It would be equally reasonable to compare it to one of those enforced meetings upon the mountain-tops that must have occurred in the opening phases of the Deluge. The strength of the council lay not in itself but in the circumstances that had quickened its intelligence, dispelled its vanities, and emancipated it from traditional ambitions and antagonisms. It was stripped of the accumulation of centuries, a naked government with all that freedom of action that nakedness affords. And its problems were set before it with a plainness that was out of all comparison with the complicated and perplexing intimations of the former time.


The Last War: A World Set Free
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sarrasine by Honore de Balzac:

unsociable sculptor would not allow his solitude, peopled as it was with images, adorned with the fanciful creations of hope, and full of happiness, to be disturbed by his comrades. His love was so intense and so ingenuous, that he had to undergo the innocent scruples with which we are assailed when we love for the first time. As he began to realize that he would soon be required to bestir himself, to intrigue, to ask where La Zambinella lived, to ascertain whether she had a mother, an uncle, a guardian, a family,--in a word, as he reflected upon the methods of seeing her, of speaking to her, he felt that his heart was so swollen with such ambitious ideas, that he postponed those cares until the following day, as happy in his physical

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frances Waldeaux by Rebecca Davis:

CHAPTER II

Clara Vance had her faults, but nobody could deny that, in this crisis, she acted with feeling and tact. She ignored mademoiselle and her lover, whose bliss was in evidence on deck all day, and took possession of Mrs. Waldeaux, caring for her as tenderly as if she had been some poor wretch sentenced to death. "She has no intellect left except her ideas about George," she told herself, "and if he turns his back on her for life in this way---- She never was too sane!" shaking her head ominously.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Within the Tides by Joseph Conrad:

the ship struck nobody ever paid any attention to him. Nobody cared what he did or where he was. Pitch dark, too - no counting of heads. The light of the tug with the lifeboat in tow is seen making for the ship, and Captain Harry asks: Are we all there? . . . Somebody answers: All here, sir. . . Stand by to leave the ship, then, says Captain Harry; and two of you help the gentleman over first. . . Aye, aye, sir. . . Cloete was moved to ask Captain Harry to let him stay till last, but the life-boat drops on a grapnel abreast the fore-rigging, two chaps lay hold of him, watch their chance, and drop him into her, all safe.

"He's nearly exhausted; not used to that sort of thing, you see.


Within the Tides