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Today's Stichomancy for Theodore Roosevelt

The first excerpt represents the past or something you must release, and is drawn from The Oakdale Affair by Edgar Rice Burroughs:

eyes; but a sudden fear stayed his tongue. If he told all it would be necessary to reveal certain details that he could not bring himself to reveal to anyone, and so he commenced with his introduction to the wayfarers in the deserted hay barn. Briefly he told of the attack upon him, of his shooting of Dopey Charlie, of the flight and pursuit. "And now," he said in conclusion, "that you know I'm a murderer I suppose you won't have any more to do with me, unless you turn me over to the authorities to hang." There was almost a sob in his voice, so real was his terror.


The Oakdale Affair
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

could say nothing, my heart was too full to speak, for at first I did not know what to do. However we knew it would never do to turn back to the "City of Destruction," like Bunyan's Mistrust and Timorous, because they saw lions in the narrow way after ascending the hill Difficulty; but press on, like noble Christian and Hopeful, to the great city in which dwelt a few "shining ones." So, after a few moments, I did all I could to encourage my companion, and we stepped out and made for the office; but how or where my master obtained


Running a Thousand Miles for Freedom
The third excerpt represents the future or something you must embrace, and is drawn from Little Rivers by Henry van Dyke:

nothing of the market price of precious stones or the costly splendour of rare orchids. The thing that pleases her is the thing that she will hold fast. And yet I do not doubt that the most important things are always the best remembered; only we must learn that the real importance of what we see and hear in the world is to be measured at last by its meaning, its significance, its intimacy with the heart of our heart and the life of our life. And when we find a little token of the past very safely and imperishably kept among our recollections, we must believe that memory has made no mistake. It is because that little thing has entered into our experience most deeply, that it stays with us and we cannot lose