| The first excerpt represents the past or something you must release, and is drawn from Protagoras by Plato: other of Leucolophides, and some others. I was very anxious to hear what
Prodicus was saying, for he seems to me to be an all-wise and inspired man;
but I was not able to get into the inner circle, and his fine deep voice
made an echo in the room which rendered his words inaudible.
No sooner had we entered than there followed us Alcibiades the beautiful,
as you say, and I believe you; and also Critias the son of Callaeschrus.
On entering we stopped a little, in order to look about us, and then walked
up to Protagoras, and I said: Protagoras, my friend Hippocrates and I have
come to see you.
Do you wish, he said, to speak with me alone, or in the presence of the
company?
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: multifold moral contradictions, they oppose--not, indeed pleasure, it
would be too pale a contrast--but debauchery, a debauchery both secret
and alarming, for they have all means at their disposal, and fix the
morality of society. Their genuine stupidity lies hid beneath their
specialism. They know their business, but are ignorant of everything
which is outside it. So that to preserve their self-conceit they
question everything, are crudely and crookedly critical. They appear
to be sceptics and are in reality simpletons; they swamp their wits in
interminable arguments. Almost all conveniently adopt social,
literary, or political prejudices, to do away with the need of having
opinions, just as they adapt their conscience to the standard of the
 The Girl with the Golden Eyes |
The third excerpt represents the future or something you must embrace, and is drawn from Dracula by Bram Stoker: the light. Ah, but hear me through.
"He can do all these things, yet he is not free. Nay, he is even more
prisoner than the slave of the galley, than the madman in his cell.
He cannot go where he lists, he who is not of nature has yet
to obey some of nature's laws, why we know not. He may not enter
anywhere at the first, unless there be some one of the household
who bid him to come, though afterwards he can come as he please.
His power ceases, as does that of all evil things, at the coming
of the day.
"Only at certain times can he have limited freedom.
If he be not at the place whither he is bound, he can
 Dracula |