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Today's Stichomancy for Theodore Roosevelt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthyphro by Plato:

shipwrecked on a refined distinction between the state and the act, corresponding respectively to the adjective (philon) and the participle (philoumenon), or rather perhaps to the participle and the verb (philoumenon and phileitai). The act is prior to the state (as in Aristotle the energeia precedes the dunamis); and the state of being loved is preceded by the act of being loved. But piety or holiness is preceded by the act of being pious, not by the act of being loved; and therefore piety and the state of being loved are different. Through such subtleties of dialectic Socrates is working his way into a deeper region of thought and feeling. He means to say that the words 'loved of the gods' express an attribute only, and not the essence of piety.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

welcome," he went on, evidently restraining his voice so as not to speak too loud; he was going upstairs with his guests. "I have no wife, she's dead. But here, I will introduce my daughters," and turning round, he shouted down the stairs in a voice of thunder: "Tell Ignat to have the sledge ready at eight o'clock to-morrow morning."

His four daughters, young and pretty girls, all wearing gray dresses and with their hair done up in the same style, and their cousin, also young and attractive, with her children, were in the drawingroom. Startchenko, who knew them already, began at once begging them to sing something, and two of the young ladies spent


The Schoolmistress and Other Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

occupation of man.

ERNEST. Contemplation?

GILBERT. Contemplation. I said to you some time ago that it was far more difficult to talk about a thing than to do it. Let me say to you now that to do nothing at all is the most difficult thing in the world, the most difficult and the most intellectual. To Plato, with his passion for wisdom, this was the noblest form of energy. To Aristotle, with his passion for knowledge, this was the noblest form of energy also. It was to this that the passion for holiness led the saint and the mystic of mediaeval days.

ERNEST. We exist, then, to do nothing?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Catriona by Robert Louis Stevenson:

are respected; I will make the same my business, as I have all through. But I think you might have that decency as to affect some gratitude. 'Deed, and I thought you knew me better! I have not behaved quite well to you, but that was weakness. And to think me a coward, and such a coward as that - O, my lass, there was a stab for the last of it!"

"Davie, how would I guess?" she cried. "O, this is a dreadful business! Me and mine," - she gave a kind of a wretched cry at the word - "me and mine are not fit to speak to you. O, I could be kneeling down to you in the street, I could be kissing your hands for forgiveness!"

"I will keep the kisses I have got from you already," cried I. "I will