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Today's Stichomancy for Thomas Edison

The first excerpt represents the past or something you must release, and is drawn from The Aspern Papers by Henry James:

either did not or went only to early mass in the parish, before I was stirring. Certainly even the priests respected their seclusion; I had never caught the whisk of the curato's skirt. That evening, an hour later, I sent my servant down with five words written on a card, to ask Miss Tita if she would see me for a few moments. She was not in the house, where he had sought her, he told me when he came back, but in the garden walking about to refresh herself and gathering flowers. He had found her there and she would be very happy to see me.

I went down and passed half an hour with poor Miss Tita. She had always had a look of musty mourning (as if she

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Within the Tides by Joseph Conrad:

cruelties of hostile nature.

Being sane he had to be constantly on his guard against falling into adoring silences or breaking out into wild speeches. He had to keep watch on his eyes, his limbs, on the muscles of his face. Their conversations were such as they could be between these two people: she a young lady fresh from the thick twilight of four million people and the artificiality of several London seasons; he the man of definite conquering tasks, the familiar of wide horizons, and in his very repose holding aloof from these agglomerations of units in which one loses one's importance even to oneself. They had no common conversational small change. They had


Within the Tides
The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

out of Lineland, that is to say, out of the Straight Line which you call Space, and in the true Space, where I can see things as they are. And at this moment I can see your Line, or side -- or inside as you are pleased to call it; and I can see also the Men and Women on the North and South of you, whom I will now enumerate, describing their order, their size, and the interval between each."

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My body just before I disappeared +---------+ |\ \ \ \ \|


Flatland: A Romance of Many Dimensions