The first excerpt represents the past or something you must release, and is drawn from The People That Time Forgot by Edgar Rice Burroughs: even provided that they would, could I retrace my steps from
the beginning, after failing to find my own people, and return
to the far northern land of Galus? I doubted it. However, I
was learning from Ajor, who was more or less of a fatalist, a
philosophy which was as necessary in Caspak to peace of mind as
is faith to the devout Christian of the outer world.
Chapter 5
We were sitting before a little fire inside a safe grotto one
night shortly after we had quit the cliff-dwellings of the
Band-lu, when So-al raised a question which it had never
occurred to me to propound to Ajor. She asked her why she had
The People That Time Forgot |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson: To think of him as one to touch
With aches, indignities, and cares;
She sees him rather at the goal,
Still shining; and her dream foretells
The proper shining of a soul
Where nothing ordinary dwells.
Perchance a canvass of the town
Would find him far from flags and shouts,
And leave him only the renown
Of many smiles and many doubts;
Perchance the crude and common tongue
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The third excerpt represents the future or something you must embrace, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber: wonderful garden would come stealing.
I thought of the cheap little flat, with the ugly
sideboard, and the bit of weedy yard in the rear, and the
alley beyond that, and the red and green wall paper in
the parlor. The next moment, to my horror, Alma Pflugel
had dropped to her knees before the table in the damp
little arbor, her face in her hands, her spare shoulders
shaking.
"Ich kann's nicht thun!" she moaned. "Ich kann
nicht! Ach, kleine Schwester, wo bist du denn! Nachts
und Morgens bete ich, aber doch kommst du nicht."
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