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Today's Stichomancy for Thomas Edison

The first excerpt represents the past or something you must release, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

even provided that they would, could I retrace my steps from the beginning, after failing to find my own people, and return to the far northern land of Galus? I doubted it. However, I was learning from Ajor, who was more or less of a fatalist, a philosophy which was as necessary in Caspak to peace of mind as is faith to the devout Christian of the outer world.

Chapter 5

We were sitting before a little fire inside a safe grotto one night shortly after we had quit the cliff-dwellings of the Band-lu, when So-al raised a question which it had never occurred to me to propound to Ajor. She asked her why she had


The People That Time Forgot
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

To think of him as one to touch With aches, indignities, and cares; She sees him rather at the goal, Still shining; and her dream foretells The proper shining of a soul Where nothing ordinary dwells.

Perchance a canvass of the town Would find him far from flags and shouts, And leave him only the renown Of many smiles and many doubts; Perchance the crude and common tongue

The third excerpt represents the future or something you must embrace, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

wonderful garden would come stealing.

I thought of the cheap little flat, with the ugly sideboard, and the bit of weedy yard in the rear, and the alley beyond that, and the red and green wall paper in the parlor. The next moment, to my horror, Alma Pflugel had dropped to her knees before the table in the damp little arbor, her face in her hands, her spare shoulders shaking.

"Ich kann's nicht thun!" she moaned. "Ich kann nicht! Ach, kleine Schwester, wo bist du denn! Nachts und Morgens bete ich, aber doch kommst du nicht."