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Today's Stichomancy for Thomas Jefferson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Persuasion by Jane Austen:

the actions and designs of one part of the world from the notice and curiosity of the other; consequence has its tax; I, John Shepherd, might conceal any family-matters that I chose, for nobody would think it worth their while to observe me; but Sir Walter Elliot has eyes upon him which it may be very difficult to elude; and therefore, thus much I venture upon, that it will not greatly surprise me if, with all our caution, some rumour of the truth should get abroad; in the supposition of which, as I was going to observe, since applications will unquestionably follow, I should think any from our wealthy naval commanders particularly worth attending to; and beg leave to add, that two hours will bring me over at any time, to save you


Persuasion
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Wild by Jack London:

last gasp, which lures them to die joyfully in the harness, and breaks their hearts if they are cut out of the harness. This was the pride of Dave as wheel-dog, of Sol-leks as he pulled with all his strength; the pride that laid hold of them at break of camp, transforming them from sour and sullen brutes into straining, eager, ambitious creatures; the pride that spurred them on all day and dropped them at pitch of camp at night, letting them fall back into gloomy unrest and uncontent. This was the pride that bore up Spitz and made him thrash the sled-dogs who blundered and shirked in the traces or hid away at harness-up time in the morning. Likewise it was this pride that made him fear Buck as a possible

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

irrational and inconsequent to be indulged in except as a reckless dram now and then; for she had been too early habituated to anxious reasoning to drop the habit suddenly. She felt none of those ups and downs of spirit which beset so many people without cause; never--to paraphrase a recent poet--never a gloom in Elizabeth-Jane's soul but she well knew how it came there; and her present cheerfulness was fairly proportionate to her solid guarantees for the same.

It might have been supposed that, given a girl rapidly becoming good-looking, comfortably circumstanced, and for the first time in her life commanding ready money, she would


The Mayor of Casterbridge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Canyon by Zane Grey:

where the mustang Spillbeans stood ready for her to mount. He appeared to put one ear up, the other down, and to look at her with mild surprise, as if to say: "What--hello--tenderfoot! Are you going to ride me again?"

Carley recalled that she had avowed she would ride him. There was no alternative, and her misgivings only made matters worse. Nevertheless, once in the saddle, she imagined she had the hallucination that to ride off so, with the long open miles ahead, was really thrilling. This remarkable state of mind lasted until Spillbeans began to trot, and then another day of misery beckoned to Carley with gray stretches of distance.

She was to learn that misery, as well as bliss, can swallow up the hours. She saw the monotony of cedar trees, but with blurred eyes; she saw the


The Call of the Canyon