| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Water-Babies by Charles Kingsley: Yet, for old sakes' sake she is still, dears,
The prettiest doll in the world.
What a silly song for a fairy to sing!
And what silly water-babies to be quite delighted at it!
Well, but you see they have not the advantage of Aunt Agitate's
Arguments in the sea-land down below.
"Now," said the fairy to Tom, "will you be a good boy for my sake,
and torment no more sea-beasts till I come back?"
"And you will cuddle me again?" said poor little Tom.
"Of course I will, you little duck. I should like to take you with
me and cuddle you all the way, only I must not;" and away she went.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from She Stoops to Conquer by Oliver Goldsmith: so becoming.
MISS NEVILLE. Agreeable cousin! Who can help admiring that natural
humour, that pleasant, broad, red, thoughtless (patting his cheek)--ah!
it's a bold face.
MRS. HARDCASTLE. Pretty innocence!
TONY. I'm sure I always loved cousin Con.'s hazle eyes, and her
pretty long fingers, that she twists this way and that over the
haspicholls, like a parcel of bobbins.
MRS. HARDCASTLE. Ah! he would charm the bird from the tree. I was
never so happy before. My boy takes after his father, poor Mr.
Lumpkin, exactly. The jewels, my dear Con., shall be yours
 She Stoops to Conquer |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell: Eventually the man is lost in the manner. The very names of trades
express the fact. The Japanese word for cabinet-maker, for example,
means literally cutting-thing-house, and is now applied as
distinctively to the man as to his shop. Nominally as well as
practically the youthful Japanese artisan makes his introduction to
the world, much after the manner of the hero of Lecocq's comic
opera, the son of the house of Marasquin et Cie.
If instead of belonging to the lower middle class our typical youth
be born of bluer blood, or if he be filled with the same desires as
if he were so descended, he becomes a student. Having failed to
discover in the school-room the futility of his country's
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wizard of Oz by L. Frank Baum: "I am--I certainly am," answered the little man sorrowfully;
"but it was the only thing I could do. Sit down, please, there
are plenty of chairs; and I will tell you my story."
So they sat down and listened while he told the following tale.
"I was born in Omaha--"
"Why, that isn't very far from Kansas!" cried Dorothy.
"No, but it's farther from here," he said, shaking his head at
her sadly. "When I grew up I became a ventriloquist, and at that
I was very well trained by a great master. I can imitate any kind
of a bird or beast." Here he mewed so like a kitten that Toto
pricked up his ears and looked everywhere to see where she was.
 The Wizard of Oz |