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Today's Stichomancy for Tim Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

Those two that sit above there most enrapture As being very near unto Augusta, Are as it were the two roots of this Rose.

He who upon the left is near her placed The father is, by whose audacious taste The human species so much bitter tastes.

Upon the right thou seest that ancient father Of Holy Church, into whose keeping Christ The keys committed of this lovely flower.

And he who all the evil days beheld, Before his death, of her the beauteous bride


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

she did not know why--that it must be 'Sir Charles Faraday.'

Faraday did, as you know, accompany Davy to Rome: he was re-engaged by the managers of the Royal Institution on May 15, 1815. Here he made rapid progress in chemistry, and after a time was entrusted with easy analyses by Davy. In those days the Royal Institution published 'The Quarterly Journal of Science,' the precursor of our own 'Proceedings.' Faraday's first contribution to science appeared in that journal in 1816. It was an analysis of some caustic lime from Tuscany, which had been sent to Davy by the Duchess of Montrose. Between this period and 1818 various notes and short papers were published by Faraday. In 1818 he experimented upon

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Cavalry General by Xenophon:

possess such a moral superiority over the other as shall enable him to appear in the position of an expert, trained in all the feats of cavalry performance in the field, and leave his enemy to play the part of raw recruits or amateurs.[1]

[1] Cf. "Cyrop." I. v. 11; "Mem." III. vii. 7.

And this end may be secured primarily on this wise: those who are to form your guerilla bands[2] must be so hardened and inured to the saddle that they are capable of undergoing all the toils of a campaign.[3] That a squadron (and I speak of horse and man alike) should enter these lists in careless, disorderly fashion suggests the idea of a troop of women stepping into the arena to cope with male

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

There was no little cunning in this proposal, which indeed emanated not from any Isosceles -- for no being so degraded would have had angularity enough to appreciate, much less to devise, such a model of state-craft -- but from an Irregular Circle who, instead of being destroyed in his childhood, was reserved by a foolish indulgence to bring desolation on his country and destruction on myriads of his followers.

On the one hand the proposition was calculated to bring the Women in all classes over to the side of the Chromatic Innovation. For by assigning to the Women the same two colours as were assigned to the Priests, the Revolutionists thereby ensured that,


Flatland: A Romance of Many Dimensions