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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kenilworth by Walter Scott:

--many a poor blade looks gay in a velvet scabbard."

"But so cannot men say of thee, thou noble Earl," said his lady, as the cloak dropped on the floor, and showed him dressed as princes when they ride abroad; "thou art the good and well-tried steel, whose inly worth deserves, yet disdains, its outward ornaments. Do not think Amy can love thee better in this glorious garb than she did when she gave her heart to him who wore the russet-brown cloak in the woods of Devon."

"And thou too," said the Earl, as gracefully and majestically he led his beautiful Countess towards the chair of state which was prepared for them both--"thou too, my love, hast donned a dress


Kenilworth
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shadow out of Time by H. P. Lovecraft:

The huge nippers were used in carrying books and in conversation-speech consisting of a kind of clicking and scraping. The objects had no clothing, but wore satchels or knapsacks suspended from the top of the conical trunk. They commonly carried their head and its supporting member at the level of the cone top, although it was frequently raised or lowered. The other three great members tended to rest downward at the sides of the cone, contracted to about five feet each when not in use. From their rate of reading, writing, and operating their machines - those on the tables seemed


Shadow out of Time
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salammbo by Gustave Flaubert:

very ships as though Carthage wished to concentrate herself wholly upon a single thought of death and desolation.

Before each tabernacle a man balanced a large vase of smoking incense on his head. Clouds hovered here and there, and the hangings, pendants, and embroideries of the sacred pavilions might be distinguished amid the thick vapours. These advanced slowly owing to their enormous weight. Sometimes the axles became fast in the streets; then the pious took advantage of the opportunity to touch the Baalim with their garments, which they preserved afterwards as holy things.

The brazen statue continued to advance towards the square of Khamon. The rich, carrying sceptres with emerald balls, set out from the


Salammbo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Redheaded Outfield by Zane Grey:

walks of life. O'Brien was a strapping fellow and he lifted another ball into Clammer's wide territory. The hit was of the high and far-away variety. Clammer started to run with it, not like a grim outfielder, but like one thinking of himself, his style, his opportunity, his inevitable success. Certain it was that in thinking of himself the outfielder forgot his surroundings. He ran across the foul line, head up, hair flying, unheeding the warning cry from Healy. And, reaching up to make his crowning circus play, he smashed


The Redheaded Outfield