Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by Oscar Wilde:

Of the blue grapes, hath not persistency So constant as this simple shepherd-boy For my poor lips, his joyous purity And laughing sunny eyes might well decoy A Dryad from her oath to Artemis; For very beautiful is he, his mouth was made to kiss;

His argent forehead, like a rising moon Over the dusky hills of meeting brows, Is crescent shaped, the hot and Tyrian noon Leads from the myrtle-grove no goodlier spouse For Cytheraea, the first silky down

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Art of War by Sun Tzu:

taking a town when the same expenditure of soldiers will gain a province." [1] ]

positions which must not be contested, commands of the sovereign which must not be obeyed.

[This is a hard saying for the Chinese, with their reverence for authority, and Wei Liao Tzu (quoted by Tu Mu) is moved to exclaim: "Weapons are baleful instruments, strife is antagonistic to virtue, a military commander is the negation of civil order!" The unpalatable fact remains, however, that even Imperial wishes must be subordinated to military necessity.]

4. The general who thoroughly understands the advantages

The Art of War

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

waistcoat and trousers heavily patched at the knees. These were not his fishing clothes. There was something delightful in the grasp of his hand, warm and clean, as if it never touched anything but the comfortable woolen yarn, instead of cold sea water and slippery fish.

"What are the painted stakes for, down in the field?" I hastened to ask, and he came out a step or two along the path to see; and looked at the stakes as if his attention were called to them for the first time.

"Folks laughed at me when I first bought this place an' come here to live," he explained. "They said 'twa'n't no kind of a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

sheets. He had small mercy on spurious fame, and a caustic observation on the FASHION FOR MEN OF GENIUS was a standing dish. Sir Thomas Browne was a 'bosom cronie' of his; so was Burton, and old Fuller. In his amorous vein he dallied with that peerless Duchess of many-folio odour; and with the heyday comedies of Beaumont and Fletcher he induced light dreams. He would deliver critical touches on these, like one inspired, but it was good to let him choose his own game; if another began even on the acknowledged pets he was liable to interrupt, or rather append, in a mode difficult to define whether as misapprehensive or mischievous. One night at C-'s, the above dramatic partners were