| The first excerpt represents the past or something you must release, and is drawn from Baby Mine by Margaret Mayo: secret had sprung up between them.
Annoyed at receiving no greeting, Aggie continued in a rather
hurt voice:
"Aren't you two going to speak to me?"
Alfred swallowed hard in an effort to regain his composure.
"Good-morning," he said curtly.
Fully convinced of a disagreement between the two old friends,
Aggie addressed herself in a reproachful tone to Jimmy.
"My dear," she said, "what are you doing here this time of day?"
Jimmy felt Alfred's steely eyes upon him. "Why!" he stammered.
"Why, I just came over to--bring your message."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phaedrus by Plato: that if their compositions are based upon these principles, then they are
not only poets, orators, legislators, but philosophers. All others are
mere flatterers and putters together of words. This is the message which
Phaedrus undertakes to carry to Lysias from the local deities, and Socrates
himself will carry a similar message to his favourite Isocrates, whose
future distinction as a great rhetorician he prophesies. The heat of the
day has passed, and after offering up a prayer to Pan and the nymphs,
Socrates and Phaedrus depart.
There are two principal controversies which have been raised about the
Phaedrus; the first relates to the subject, the second to the date of the
Dialogue.
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The third excerpt represents the future or something you must embrace, and is drawn from Charmides by Plato: What! I asked; do you mean to say that doing and making are not the same?
No more, he replied, than making or working are the same; thus much I have
learned from Hesiod, who says that 'work is no disgrace.' Now do you
imagine that if he had meant by working and doing such things as you were
describing, he would have said that there was no disgrace in them--for
example, in the manufacture of shoes, or in selling pickles, or sitting for
hire in a house of ill-fame? That, Socrates, is not to be supposed: but I
conceive him to have distinguished making from doing and work; and, while
admitting that the making anything might sometimes become a disgrace, when
the employment was not honourable, to have thought that work was never any
disgrace at all. For things nobly and usefully made he called works; and
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