| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli: have been the conspiracies, but few have been successful; because he
who conspires cannot act alone, nor can he take a companion except
from those whom he believes to be malcontents, and as soon as you have
opened your mind to a malcontent you have given him the material with
which to content himself, for by denouncing you he can look for every
advantage; so that, seeing the gain from this course to be assured,
and seeing the other to be doubtful and full of dangers, he must be a
very rare friend, or a thoroughly obstinate enemy of the prince, to
keep faith with you.
And, to reduce the matter into a small compass, I say that, on the
side of the conspirator, there is nothing but fear, jealousy, prospect
 The Prince |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moby Dick by Herman Melville: cloud-shadows flung upon the sea. The jets of vapour no longer
blended, but tilted everywhere to right and left; the whales seemed
separating their wakes. The boats were pulled more apart; Starbuck
giving chase to three whales running dead to leeward. Our sail was
now set, and, with the still rising wind, we rushed along; the boat
going with such madness through the water, that the lee oars could
scarcely be worked rapidly enough to escape being torn from the
row-locks.
Soon we were running through a suffusing wide veil of mist; neither
ship nor boat to be seen.
"Give way, men," whispered Starbuck, drawing still further aft the
 Moby Dick |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Around the World in 80 Days by Jules Verne: Passepartout saw, too, begging friars, long-robed pilgrims,
and simple civilians, with their warped and jet-black hair,
big heads, long busts, slender legs, short stature, and complexions
varying from copper-colour to a dead white, but never yellow,
like the Chinese, from whom the Japanese widely differ.
He did not fail to observe the curious equipages--carriages and palanquins,
barrows supplied with sails, and litters made of bamboo; nor the women--
whom he thought not especially handsome--who took little steps with their
little feet, whereon they wore canvas shoes, straw sandals, and clogs
of worked wood, and who displayed tight-looking eyes, flat chests,
teeth fashionably blackened, and gowns crossed with silken scarfs,
 Around the World in 80 Days |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ruling Passion by Henry van Dyke: had broken only a nose, a collar-bone, and two ribs--for one like
him that was but a bagatelle. A good doctor from Chicoutimi, a few
months of nursing, and he would be on his feet again, almost as good
a man as he had ever been.
It was Leclere who put himself in charge of this.
"It is my affair," he said--"my fault! It was not a fair place to
fight. Why did I strike? I must attend to this bad work."
"MAIS, SACRE BLEU!" they answered, "how could you help it? He
forced you. You did not want to be killed. That would be a little
too much."
"No," he persisted, "this is my affair. Girard, you know my money
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