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Today's Stichomancy for Tommy Hilfiger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Apology by Plato:

do you mean that I am an atheist simply, and a teacher of atheism?

I mean the latter--that you are a complete atheist.

What an extraordinary statement! Why do you think so, Meletus? Do you mean that I do not believe in the godhead of the sun or moon, like other men?

I assure you, judges, that he does not: for he says that the sun is stone, and the moon earth.

Friend Meletus, you think that you are accusing Anaxagoras: and you have but a bad opinion of the judges, if you fancy them illiterate to such a degree as not to know that these doctrines are found in the books of Anaxagoras the Clazomenian, which are full of them. And so, forsooth, the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

compare with the discoverer's joy, and the sense of old Time and his slow changes on the face of this earth, with which I explored such corners as Cannonmills or Water Lane, or the nugget of cottages at Broughton Market. They were more rural than the open country, and gave a greater impression of antiquity than the oldest LAND upon the High Street. They too, like Fergusson's butterfly, had a quaint air of having wandered far from their own place; they looked abashed and homely, with their gables and their creeping plants, their outside stairs and running mill-streams; there were corners that smelt like

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fables by Robert Louis Stevenson:

the steaming of the marsh arose about it like a smoke. It was a fine house, and a very rambling; some parts of it were ancient like the hills, and some but of yesterday, and none finished; and all the ends of it were open, so that you could go in from every side. Yet it was in good repair, and all the chimneys smoked.

Jack went in through the gable; and there was one room after another, all bare, but all furnished in part, so that a man could dwell there; and in each there was a fire burning, where a man could warm himself, and a table spread where he might eat. But Jack saw nowhere any living creature; only the bodies of some stuffed.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Soul of the Far East by Percival Lowell:

love, all our early associations send down roots so deep that long after our minds have outgrown them our hearts refuse to give them up. Even when reason conquers at last, sentiment still throbs at the voids they necessarily have left.

In the Far East, this fondness for the old is further consecrated by religion. The worship of ancestors sets its seal upon the traditions of the past, to break which were impious as well as sad. The golden age, that time when each man himself was young, has lingered on in the lands where it is always morning, and where man has never passed to his prosaic noon. Befitting the place is the mind we find there. As its language so clearly shows, it still is in