| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Old Maid by Honore de Balzac: Suzanne had tricked him; this suspicion confirmed him in his
principles as to women.
On gala days the table was laid at Mademoiselle Cormon's about half-
past three o'clock. At that period the fashionable people of Alencon
dined at four. Under the Empire they still dined as in former times at
half-past two; but then they supped! One of the pleasures which
Mademoiselle Cormon valued most was (without meaning any malice,
although the fact certainly rests on egotism) the unspeakable
satisfaction she derived from seeing herself dressed as mistress of
the house to receive her guests. When she was thus under arms a ray of
hope would glide into the darkness of her heart; a voice told her that
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Emerald City of Oz by L. Frank Baum: dressed herself in her prettiest gown and put on her coronet, for she
thought that this might be the last time she would ever appear as a
Princess of Oz.
The Scarecrow, the Tin Woodman and Jack Pumpkinhead all sat at the
dinner table, although none of them was made so he could eat. Usually
they served to enliven the meal with their merry talk, but to-night
all seemed strangely silent and uneasy.
As soon as the dinner was finished Ozma led the company to her own
private room in which hung the Magic Picture. When they had seated
themselves the Scarecrow was the first to speak.
"Is the Nome King's tunnel finished, Ozma?" he asked.
 The Emerald City of Oz |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life on the Mississippi by Mark Twain: miles of river on information that was a week or ten days old.
At a fair stage of the river that might have answered; but when the
dead low water came it was destructive.
Now came another perfectly logical result. The outsiders began
to ground steamboats, sink them, and get into all sorts of trouble,
whereas accidents seemed to keep entirely away from the association men.
Wherefore even the owners and captains of boats furnished
exclusively with outsiders, and previously considered to be wholly
independent of the association and free to comfort themselves
with brag and laughter, began to feel pretty uncomfortable.
Still, they made a show of keeping up the brag, until one black day
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Two Poets by Honore de Balzac: loyalty, and Louis XVIII. a Jacobin. The women, for the most part,
were awkward, silly, insipid, and ill dressed; there was always
something amiss that spoiled the whole; nothing in them was complete,
toilette or talk, flesh or spirit. But for his designs on Mme. de
Bargeton, Chatelet could not have endured the society. And yet the
manners and spirit of the noble in his ruined manor-house, the
knowledge of the traditions of good breeding,--these things covered a
multitude of deficiencies. Nobility of feeling was far more real here
than in the lofty world of Paris. You might compare these country
Royalists, if the metaphor may be allowed, to old-fashioned silver
plate, antiquated and tarnished, but weighty; their attachment to the
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