| The first excerpt represents the past or something you must release, and is drawn from The Soul of Man by Oscar Wilde: that he cannot receive any artistic impression from it at all. The
work of art is to dominate the spectator: the spectator is not to
dominate the work of art. The spectator is to be receptive. He is
to be the violin on which the master is to play. And the more
completely he can suppress his own silly views, his own foolish
prejudices, his own absurd ideas of what Art should be, or should
not be, the more likely he is to understand and appreciate the work
of art in question. This is, of course, quite obvious in the case
of the vulgar theatre-going public of English men and women. But
it is equally true of what are called educated people. For an
educated person's ideas of Art are drawn naturally from what Art
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Grimm's Fairy Tales by Brothers Grimm: another kind of salad, and scarcely had he tasted it when he felt
another change come over him, and soon saw that he was lucky enough to
have found his old shape again.
Then he laid himself down and slept off a little of his weariness; and
when he awoke the next morning he broke off a head both of the good
and the bad salad, and thought to himself, 'This will help me to my
fortune again, and enable me to pay off some folks for their
treachery.' So he went away to try and find the castle of his friends;
and after wandering about a few days he luckily found it. Then he
stained his face all over brown, so that even his mother would not
have known him, and went into the castle and asked for a lodging; 'I
Grimm's Fairy Tales |
The third excerpt represents the future or something you must embrace, and is drawn from The Apology by Xenophon: Whereupon Socrates, it is said, gently stroked the young man's head:
"Would you have been better pleased, my dear one, to see me put to
death for some just reason rather than unjustly?" and as he spoke he
smiled tenderly.[54]
[54] See Plat. "Phaed." 89 B, where a similar action is attributed to
Socrates in the case of Phaedo (his beloved disciple). "He stroked
my head and pressed the hair upon my neck--he had a way of playing
with my air; and then he said: 'To-morrow, Phaedo, I suppose that
these fair locks of yours will be severed.'"
It is also said that, seeing Anytus[55] pass by, Socrates remarked:
"How proudly the great man steps; he thinks, no doubt, he has
The Apology |
