| The first excerpt represents the past or something you must release, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche: impelleth it the hammer to the stone.
Ah, ye men, within the stone slumbereth an image for me, the image of my
visions! Ah, that it should slumber in the hardest, ugliest stone!
Now rageth my hammer ruthlessly against its prison. From the stone fly the
fragments: what's that to me?
I will complete it: for a shadow came unto me--the stillest and lightest
of all things once came unto me!
The beauty of the Superman came unto me as a shadow. Ah, my brethren! Of
what account now are--the Gods to me!--
Thus spake Zarathustra.
XXV. THE PITIFUL.
 Thus Spake Zarathustra |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Confessio Amantis by John Gower: Was of this Maiden the feture.
Wherof Phebus out of mesure 6740
Hire loveth, and on every syde
Awaiteth, if so mai betyde,
That he thurgh eny sleihte myhte
Hire lusti maidenhod unrihte,
The which were al his worldes welthe.
And thus lurkende upon his stelthe
In his await so longe he lai,
Til it befell upon a dai,
That he thurghout hir chambre wall
 Confessio Amantis |
The third excerpt represents the future or something you must embrace, and is drawn from Prufrock/Other Observations by T. S. Eliot: As a madman shakes a dead geranium.
Half-past one,
The street lamp sputtered,
The street lamp muttered,
The street lamp said,
"Regard that woman
Who hesitates toward you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
 Prufrock/Other Observations |