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Today's Stichomancy for Tupac Shakur

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chouans by Honore de Balzac:

"That's the female citizen Verneuil," replied Corentin, sharply, looking jealously at the questioner; "a /ci-devant/; what is she to you?"

The stranger, who was humming a revolutionary tune, turned his head haughtily towards Corentin. The two young men looked at each other for a moment like cocks about to fight, and the glance they exchanged gave birth to a hatred which lasted forever. The blue eye of the young soldier was as frank and honest as the green eye of the other man was false and malicious; the manners of the one had native grandeur, those of the other were insinuating; one was eager in his advance, the other deprecating; one commanded respect, the other sought it.


The Chouans
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ann Veronica by H. G. Wells:

After the interview Ann Veronica considered herself formally cut off from home. If nothing else had clinched that, the purse had.

Nevertheless there came a residuum of expostulations. Her brother Roddy, who was in the motor line, came to expostulate; her sister Alice wrote. And Mr. Manning called.

Her sister Alice seemed to have developed a religious sense away there in Yorkshire, and made appeals that had no meaning for Ann Veronica's mind. She exhorted Ann Veronica not to become one of "those unsexed intellectuals, neither man nor woman."

Ann Veronica meditated over that phrase. "That's HIM," said Ann Veronica, in sound, idiomatic English. "Poor old Alice!"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from St. Ives by Robert Louis Stevenson:

all), I told myself there would certainly be another.

Arrived in the cottage-garden I found the circumstances mighty inclement. From the round holes in the shutters of the parlour, shafts of candle-light streamed forth; elsewhere the darkness was complete. The trees, the thickets, were saturated; the lower parts of the garden turned into a morass. At intervals, when the wind broke forth again, there passed overhead a wild coil of clashing branches; and between whiles the whole enclosure continuously and stridently resounded with the rain. I advanced close to the window and contrived to read the face of my watch. It was half-past seven; they would not retire before ten, they might not before

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A House of Pomegranates by Oscar Wilde:

roots of the oak-trees; bright celandine, and blue speedwell, and irises lilac and gold. There were grey catkins on the hazels, and the foxgloves drooped with the weight of their dappled bee-haunted cells. The chestnut had its spires of white stars, and the hawthorn its pallid moons of beauty. Yes: surely she would come if he could only find her! She would come with him to the fair forest, and all day long he would dance for her delight. A smile lit up his eyes at the thought, and he passed into the next room.

Of all the rooms this was the brightest and the most beautiful. The walls were covered with a pink-flowered Lucca damask, patterned with birds and dotted with dainty blossoms of silver; the furniture