| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London: "Then it was some invisible hand, reaching out from I don't know where."
He looked up whimsically at the sky and smiled at the conceit.
Martin stepped forward to receive Dolly, when they came into the stable end of
the grove, but his face expressed no surprise at sight of Chris coming in on
foot. Chris lingered behind Lute for moment.
"Can you shoot a horse?" he asked.
The groom nodded, then added, "Yes, sir," with a second and deeper nod.
"How do you do it?"
"Draw a line from the eyes to the ears--I mean the opposite ears, sir. And
where the lines cross--"
"That will do," Chris interrupted. "You know the watering place at: the second
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierre Grassou by Honore de Balzac: habits and ways of life were tranquil and moral to a degree that
furnished matter of jesting to the various ateliers where he
sojourned; but everywhere he disarmed his comrades by his modesty and
by the patience and gentleness of a lamblike nature. The masters,
however, had no sympathy for the good lad; masters prefer bright
fellows, eccentric spirits, droll or fiery, or else gloomy and deeply
reflective, which argue future talent. Everything about Pierre Grassou
smacked of mediocrity. His nickname "Fougeres" (that of the painter in
the play of "The Eglantine") was the source of much teasing; but, by
force of circumstances, he accepted the name of the town in which he
had first seen light.
|