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Today's Stichomancy for Tupac Shakur

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Louis Lambert by Honore de Balzac:

time.

"Ah, my dear uncle, when monastic solitude was destroyed, uprooted from its home at the foot of mountains, under green and silent shade, asylums ought to have been provided for those suffering souls who, by an idea, promote the progress of nations or prepare some new and fruitful development of science.

"September 20th.

"The love of study brought me hither, as you know. I have met really learned men, amazing for the most part; but the lack of unity in scientific work almost nullifies their efforts. There is no Head of instruction or of scientific research. At the Museum a


Louis Lambert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Northanger Abbey by Jane Austen:

at her, spent the rest of his time in scolding his daughter for so foolishly hurrying her fair friend, who was absolutely out of breath from haste, when there was not the least occasion for hurry in the world: but Catherine could not at all get over the double distress of having involved her friend in a lecture and been a great simpleton herself, till they were happily seated at the dinner-table, when the general's complacent smiles, and a good appetite of her own, restored her to peace. The dining-parlour was a noble room, suitable in its dimensions to a much larger drawing-room than the one in common use, and fitted


Northanger Abbey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Drama on the Seashore by Honore de Balzac:

we walked along for half an hour in silence, either because we were oppressed by the heat which rose in waves from the burning sands, or because the difficulty of walking absorbed our attention. Like children, we held each other's hands; in fact, we could hardly have made a dozen steps had we walked arm in arm. The path which led to Batz was not so much as traced. A gust of wind was enough to efface all tracks left by the hoofs of horses or the wheels of carts; but the practised eye of our guide could recognize by scraps of mud or the dung of cattle the road that crossed that desert, now descending towards the sea, then rising landward according to either the fall of the ground or the necessity of rounding some breastwork of rock. By

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays of Travel by Robert Louis Stevenson:

dangerous step. With not a few, I think a large proportion of their pleasure then comes to an end; 'the malady of not marking' overtakes them; they read thenceforward by the eye alone and hear never again the chime of fair words or the march of the stately period. NON RAGIONIAM of these. But to all the step is dangerous; it involves coming of age; it is even a kind of second weaning. In the past all was at the choice of others; they chose, they digested, they read aloud for us and sang to their own tune the books of childhood. In the future we are to approach the silent, inexpressive type alone, like pioneers; and the choice of what we are to read is in our own hands thenceforward. For instance, in the passages already adduced,