| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum: "Yes; as you will also be shortly," answered the boy. "And then you
will understand another thing--that you were very reckless ever to
enter this cave."
"Why?" inquired the prince, who really knew little of the world, and
was interested in everything he saw and heard.
"Because it is the stronghold of the robber king, and when you opened
that gate you caused a bell to ring far down on the hillside. So the
robbers are now warned that an enemy is in their cave, and they will
soon arrive to make you a prisoner, even as I am."
"Ah, I see!" said the prince, with a laugh, "It is a rather clever
contrivance; but having been warned in time I should indeed be foolish
The Enchanted Island of Yew |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle: "Of course you are. You'll know all about it presently. Jump up
here. All right, John; we shall not need you. Here's half a
crown. Look out for me to-morrow, about eleven. Give her her
head. So long, then!"
He flicked the horse with his whip, and we dashed away through
the endless succession of sombre and deserted streets, which
widened gradually, until we were flying across a broad
balustraded bridge, with the murky river flowing sluggishly
beneath us. Beyond lay another dull wilderness of bricks and
mortar, its silence broken only by the heavy, regular footfall of
the policeman, or the songs and shouts of some belated party of
The Adventures of Sherlock Holmes |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James: soundless headshake, merciful only in being inarticulate. This
mercy didn't prevent its hurling at me the largest finest coldest
"Never!" I had yet, in the course of a life that had known denials,
had to take full in the face. I took it and was aware that with
the hard blow the tears had come into my eyes. So for a while we
sat and looked at each other; after which I slowly rose, I was
wondering if some day she would accept me; but this was not what I
brought out. I said as I smoothed down my hat: "I know what to
think then. It's nothing!"
A remote disdainful pity for me gathered in her dim smile; then she
spoke in a voice that I hear at this hour: "It's my LIFE!" As I
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad: specify, in the close neighbourhood of Kerguelen Land; and now,
when I open an atlas and look at the tiny dots on the map of the
Southern Ocean, I see as if engraved upon the paper the enraged
physiognomy of that gale.
Another, strangely, recalls a silent man. And yet it was not din
that was wanting; in fact, it was terrific. That one was a gale
that came upon the ship swiftly, like a parnpero, which last is a
very sudden wind indeed. Before we knew very well what was coming
all the sails we had set had burst; the furled ones were blowing
loose, ropes flying, sea hissing - it hissed tremendously - wind
howling, and the ship lying on her side, so that half of the crew
The Mirror of the Sea |
