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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anna Karenina by Leo Tolstoy:

inquire about Kitty. He had heard at the beginning of the winter that she was at Petersburg with her sister, the wife of the diplomat, and he did not know whether she had come back or not; but he changed his mind and did not ask. "Whether she's coming or not, I don't care," he said to himself.

"So you'll come?"

"Of course."

"At five o'clock, then, and not evening dress."

And Stepan Arkadyevitch got up and went down below to the new head of his department. Instinct had not misled Stepan Arkadyevitch. The terrible new head turned Qut to be an extremely


Anna Karenina
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides and Other Poems by Oscar Wilde:

Which falls from this Hound's table, - better far That I had died in the red ways of war, Or that the gate of Florence bare my head, Than to live thus, by all things comraded Which seek the essence of my soul to mar.

'Curse God and die: what better hope than this? He hath forgotten thee in all the bliss Of his gold city, and eternal day' - Nay peace: behind my prison's blinded bars I do possess what none can take away, My love and all the glory of the stars.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Phoenix and the Turtle by William Shakespeare:

Number there in love was slain.

Hearts remote, yet not asunder; Distance, and no space was seen 'Twixt the turtle and his queen; But in them it were a wonder.

So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight: Either was the other's mine.

Property was thus appall'd, That the self was not the same;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Contrast by Royall Tyler:

for the beaux. Segments of circles; what a crabbed term! Now I dare answer that my master, with all his learning, does not know that this means, according to the present mode, let the nails grow long, and then cut them off even at top. [Laughing without.] Ha! that's Jenny's titter. I protest I despair of ever teaching that girl to laugh; she has something so execrably natural in her laugh, that I declare it absolutely dis- composes my nerves. How came she into our house! [Calls.] Jenny!

Enter JENNY.