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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Georgics by Virgil:

Or in the daylight hours, at night they press; What darkling or at sunset, this ere morn They bear away in baskets- for to town The shepherd hies him- or with dash of salt Just sprinkle, and lay by for winter use. Nor be thy dogs last cared for; but alike Swift Spartan hounds and fierce Molossian feed On fattening whey. Never, with these to watch, Dread nightly thief afold and ravening wolves, Or Spanish desperadoes in the rear. And oft the shy wild asses thou wilt chase,


Georgics
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

upon a soft rug beneath the faded silks of Achmet's once gorgeous tent, and talked together in low voices well into the night. Both were tall and bearded, and the exposure to sun and wind had given an almost Arab hue to the European's complexion. In every detail of dress, too, he copied the fashions of his chief, so that outwardly he was as much an Arab as the other. It was late when he arose and retired to his own tent.

The following day Werper spent in overhauling his Belgian uniform, removing from it every vestige of evidence that might indicate its military purposes.


Tarzan and the Jewels of Opar
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Daisy Miller by Henry James:

the throng of carriages and of contemplative pedestrians. "I don't think it's safe, my dear," said Mrs. Walker.

"Neither do I," subjoined Mrs. Miller. "You'll get the fever, as sure as you live. Remember what Dr. Davis told you!"

"Give her some medicine before she goes," said Randolph.

The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I'm not going alone; I am going to meet a friend."

"Your friend won't keep you from getting the fever," Mrs. Miller observed.

"Is it Mr. Giovanelli?" asked the hostess.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

dreaming awake of secret cafis in Mont Martre, where ivory women delved in romantic mysteries with diplomats and soldiers of fortune, while orchestras played Hungarian waltzes and the air was thick and exotic with intrigue and moonlight and adventure. In the spring he read "L'Allegro," by request, and was inspired to lyrical outpourings on the subject of Arcady and the pipes of Pan. He moved his bed so that the sun would wake him at dawn that he might dress and go out to the archaic swing that hung from an apple-tree near the sixth-form house. Seating himself in this he would pump higher and higher until he got the effect of swinging into the wide air, into a fairy-land of piping satyrs and nymphs


This Side of Paradise