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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Parmenides by Plato:

fallacious, but almost unintelligible, e.g. in the contradiction which is elicited out of the relative terms older and younger: (11) The relation between two terms is regarded under contradictory aspects, as for example when the existence of the one and the non-existence of the one are equally assumed to involve the existence of the many: (12) Words are used through long chains of argument, sometimes loosely, sometimes with the precision of numbers or of geometrical figures.

The argument is a very curious piece of work, unique in literature. It seems to be an exposition or rather a 'reductio ad absurdum' of the Megarian philosophy, but we are too imperfectly acquainted with this last to speak with confidence about it. It would be safer to say that it is an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beast in the Jungle by Henry James:

definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.

They had at first, none the less, in the scattered hours spent together, made no allusion to that view of it; which was a sign he was handsomely alert to give that he didn't expect, that he in fact didn't care, always to be talking about it. Such a feature in one's outlook was really like a hump on one's back. The difference it made every minute of the day existed quite independently of discussion. One discussed of course LIKE a hunchback, for there

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dreams & Dust by Don Marquis:

Before me the city lay;

Girdled with swinging waters-- Guarded by ship on ship-- A gem that the strong old ocean Held in his giant grip;

There was play of shadows above And drifting gleams below, And magic of shifting waves That darkle and glance and glow;

Dusky and purple and splendid, Banded with loops of light,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac:

not actively recognize you, it is not that he did not see you. He has succeeded in detaching himself from his body, and discerns us under some other aspect--what that is, I know not. When he speaks, he utters wondrous things. Only it often happens that he concludes in speech an idea that had its beginning in his mind; or he may begin a sentence and finish it in thought. To other men he seems insane; to me, living as I do in his mind, his ideas are quite lucid. I follow the road his spirit travels; and though I do not know every turning, I can reach the goal with him.

"Which of us has not often known what it is to think of some futile thing and be led on to some serious reflection through the ideas or


Louis Lambert