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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale:

Leaps out of the night, The snake of lightning Is twisting and white, The lion of thunder Roars -- and we Sit still and content Under a tree -- We have met fate together And love and pain, Why should we fear The wrath of the rain!

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voyage of the Beagle by Charles Darwin:

and finches as they came to drink. He had already procured a little heap of them for his dinner, and he said that he had constantly been in the habit of waiting by this well for the same purpose. It would appear that the birds of this archipelago, not having as yet learnt that man is a more dangerous animal than the tortoise or the Amblyrhynchus, disregard him, in the same manner as in England shy birds, such as magpies, disregard the cows and horses grazing in our fields.

The Falkland Islands offer a second instance of birds with a similar disposition. The extraordinary tameness of the little Opetiorhynchus has been remarked by Pernety,


The Voyage of the Beagle
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Blue Flower by Henry van Dyke:

the trumpet, sounding along the crest of the mountains: and as I went out to look where it came from, I saw, through the glimmering veil of the milky way, the shape of a blossom of celestial blue, whose petals seemed to fall and fade as I looked. So I bade farewell to the old man in whose house I had learned to love the hour of visitation and the Source and the name of him who opened it; and I kissed the hands and the brow of the little Ruamie who had entered my heart, and went forth sadly from the land of Koorma into other lands, to look for the Blue Flower.

II

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ozma of Oz by L. Frank Baum:

battle-axes of solid bronze. It was evident they were perfectly trained, for they stood in straight rows, rank after rank, with their weapons held erect and true, as if awaiting but the word of command to level them upon their foes.

"This," said the Nome King, "is but a small part of my army. No ruler upon Earth has ever dared to fight me, and no ruler ever will, for I am too powerful to oppose."

He whistled again, and at once the martial array filed through the silver and gold doorways and disappeared, after which the workmen again resumed their labors at the furnaces.

Then, sad and discouraged, Ozma of Oz turned to her friends, and the


Ozma of Oz