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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the past or something you must release, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

itself of any means, which has none of the hyprocrisy of high-handed justice, but is the hideous outcome of the starving stomach--the swift and bloodthirsty pretext of hunger. Is it not attack as against self- protection, theft as against property? The terrible quarrel between the social state and the natural man, fought out on the narrowest possible ground! In short, it is a terrible and vivid image of those compromises, hostile to social interests, which the representatives of authority, when they lack power, submit to with the fiercest rebels.

When Monsieur Camusot was announced, the public prosecutor signed that he should be admitted. Monsieur de Granville had foreseen this visit, and wished to come to an understanding with the examining judge as to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

as an impossible English earl, had been watching the evening's proceedings with manifest interest, and with a contented expression in his face; and he had been privately commenting to himself. He was now soliloquising somewhat like this: 'None of the Eighteen are bidding; that is not satisfactory; I must change that--the dramatic unities require it; they must buy the sack they tried to steal; they must pay a heavy price, too--some of them are rich. And another thing, when I make a mistake in Hadleyburg nature the man that puts that error upon me is entitled to a high honorarium, and some one must pay. This poor old Richards has brought my judgment to shame; he is an honest man:--I don't understand it, but I acknowledge it.


The Man that Corrupted Hadleyburg
The third excerpt represents the future or something you must embrace, and is drawn from The Human Drift by Jack London:

based on so absolute an ignorance of facts. It is to laugh. Here is a climate that breeds vigour, with just sufficient geniality to prevent the expenditure of most of that vigour in fighting the elements. Here is a climate where a man can work three hundred and sixty-five days in the year without the slightest hint of enervation, and where for three hundred and sixty-five nights he must perforce sleep under blankets. What more can one say? I consider myself somewhat of climate expert, having adventured among most of the climates of five out of the six zones. I have not yet been in the Antarctic, but whatever climate obtains there will not deter me from drawing the conclusion that nowhere is