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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fairy Tales by Hans Christian Andersen:

dear roses at home, and with them of little Kay.

"Oh, how long I have stayed!" said the little girl. "I intended to look for Kay! Don't you know where he is?" she asked of the roses. "Do you think he is dead and gone?"

"Dead he certainly is not," said the Roses. "We have been in the earth where all the dead are, but Kay was not there."

"Many thanks!" said little Gerda; and she went to the other flowers, looked into their cups, and asked, "Don't you know where little Kay is?"

But every flower stood in the sunshine, and dreamed its own fairy tale or its own story: and they all told her very many things, but not one knew anything of Kay.


Fairy Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Return of the Native by Thomas Hardy:

The expression of her finely carved mouth was pleasant, as if a sense of dignity had just compelled her to leave off speaking. Eternal rigidity had seized upon it in a momentary transition between fervour and resignation. Her black hair was looser now than either of them had ever seen it before, and surrounded her brow like a forest. The stateliness of look which had been almost too marked for a dweller in a country domicile had at last found an artistically happy background.

Nobody spoke, till at length Clym covered her and turned aside. "Now come here," he said.


Return of the Native
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Recruit by Honore de Balzac:

and the dangers to which she was exposing herself.

"For," he said in conclusion, "though some of the authorities will readily pardon a heroism which protects a priest, none of them will spare you if they discover that you are sacrificing yourself to the interests of your heart."

At these words Madame de Dey looked at the old man with a wild and bewildered air, that made him shudder.

"Come," she said, taking him by the hand and leading him into her bedroom. After assuring herself that they were quite alone, she drew from her bosom a soiled and crumpled letter.

"Read that," she said, making a violent effort to say the words.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Polly of the Circus by Margaret Mayo:

a "wondeful striped anamule" with a "pow'ful long neck walk right out of the tent," and how he had "come apart afore her very eyes," and two men had slipped "right out a' his insides." Mandy was so carried away by her own eloquence and so busy showing Julia the sights beyond the window, that she did not hear Miss Perkins, the thin-lipped spinster, who entered, followed by the Widow Willoughby dragging her seven-year-old son Willie by the hand.

The women were protesting because their choir practice of "What Shall the Harvest Be?" had been interrupted by the unrequested acompaniment{sic} of the "hoochie coochie" from the nearby circus