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Today's Stichomancy for Umberto Eco

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Heart of Darkness by Joseph Conrad:

up for lots of silence, and actually hinted, laughing, that such was the case. `Don't you talk with Mr. Kurtz?' I said. `You don't talk with that man--you listen to him,' he exclaimed with severe exaltation. `But now--' He waved his arm, and in the twinkling of an eye was in the uttermost depths of despondency. In a moment he came up again with a jump, possessed himself of both my hands, shook them continuously, while he gabbled: `Brother sailor . . . honour . . . pleasure . . . delight . . . introduce myself . . . Russian . . . son of an arch-priest . . . Government of Tambov . . . What? Tobacco! English tobacco; the excellent English tobacco! Now, that's brotherly. Smoke?


Heart of Darkness
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Young Forester by Zane Grey:

Mexico the sick boy got off at the first station, and I waved good-bye to him as the train pulled out. Then the mountains and the funny little adobe huts and the Pueblo Indians along the line made me forget everything else.

The big man with the heavy watch-chain was still on the train, and after he had read his newspaper he began to talk to me.

"This road follows the old trail that the goldseekers took in forty-nine," he said. "We're comin' soon to a place, Apache Pass, where the Apaches used to ambush the wagon-trains, It's somewheres along here."

Presently the train wound into a narrow yellow ravine, the walls of which grew higher and higher.

"Them Apaches was the worst redskins ever in the West. They used to hide on


The Young Forester
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

like that.

...From Lennie's little box of a chest there came a sound as though something was boiling. There was a great lump of something bubbling in his chest that he couldn't get rid of. When he coughed the sweat sprang out on his head; his eyes bulged, his hands waved, and the great lump bubbled as a potato knocks in a saucepan. But what was more awful than all was when he didn't cough he sat against the pillow and never spoke or answered, or even made as if he heard. Only he looked offended.

"It's not your poor old gran's doing it, my lovey," said old Ma Parker, patting back the damp hair from his little scarlet ears. But Lennie moved his head and edged away. Dreadfully offended with her he looked--and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Babbitt by Sinclair Lewis:

just kind of scatter 'em all through?" He asked Howard Littlefield for a "set of statistics about real-estate sales; something good and impressive," and Littlefield provided something exceedingly good and impressive.

But it was to T. Cholmondeley Frink that Babbitt most often turned. He caught Frink at the club every noon, and demanded, while Frink looked hunted and evasive, "Say, Chum--you're a shark on this writing stuff--how would you put this sentence, see here in my manuscript--manuscript now where the deuce is that?--oh, yes, here. Would you say 'We ought not also to alone think?' or 'We ought also not to think alone?' or--"

One evening when his wife was away and he had no one to impress, Babbitt forgot about Style, Order, and the other mysteries, and scrawled off what he