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Today's Stichomancy for Umberto Eco

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach:

Genesis 37: 13 And Israel said unto Joseph: 'Do not thy brethren feed the flock in Shechem? come, and I will send thee unto them.' And he said to him: 'Here am I.'

Genesis 37: 14 And he said to him: 'Go now, see whether it is well with thy brethren, and well with the flock; and bring me back word.' So he sent him out of the vale of Hebron, and he came to Shechem.

Genesis 37: 15 And a certain man found him, and, behold, he was wandering in the field. And the man asked him, saying: 'What seekest thou?'

Genesis 37: 16 And he said: 'I seek my brethren. Tell me, I pray thee, where they are feeding the flock.'

Genesis 37: 17 And the man said: 'They are departed hence; for I heard them say: Let us go to Dothan.' And Joseph went after his brethren, and found them in Dothan.

Genesis 37: 18 And they saw him afar off, and before he came near unto them, they conspired against him to slay him.

Genesis 37: 19 And they said one to another: 'Behold, this dreamer cometh.

Genesis 37: 20 Come now therefore, and let us slay him, and cast him into one of the pits, and we will say: An evil beast hath devoured him; and we shall see what will become of his dreams.'

Genesis 37: 21 And Reuben heard it, and delivered him out of their hand; and said: 'Let us not take his life.'

Genesis 37: 22 And Reuben said unto them: 'Shed no blood; cast him into this pit that is in the wilderness, but lay no hand upon him' --that he might deliver him out of their hand, to restore him to


The Tanach
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dracula by Bram Stoker:

not change only to be more rose and more beautiful in a whole week, after she die, if you know of this and know of the white figure last night that brought the child to the churchyard, and yet of your own senses you did not believe, how then, can I expect Arthur, who know none of those things, to believe?

"He doubted me when I took him from her kiss when she was dying. I know he has forgiven me because in some mistaken idea I have done things that prevent him say goodbye as he ought, and he may think that in some more mistaken idea this woman was buried alive, and that in most mistake of all we have killed her. He will then argue back that it is we, mistaken ones, that have


Dracula
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

in stature, but he makes it up in thickness. Ivan Ivanovitch's head is like a radish, tail down; Ivan Nikiforovitch's like a radish with the tail up. Ivan Ivanovitch lolls on the balcony in his shirt sleeves after dinner only: in the evening he dons his pelisse and goes out somewhere, either to the village shop, where he supplies flour, or into the fields to catch quail. Ivan Nikiforovitch lies all day at his porch: if the day is not too hot he generally turns his back to the sun and will not go anywhere. If it happens to occur to him in the morning he walks through the yard, inspects the domestic affairs, and retires again to his room. In early days he used to call on Ivan Ivanovitch. Ivan Ivanovitch is a very refined man, and never utters an


Taras Bulba and Other Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In Darkest England and The Way Out by General William Booth:

work together, when you are quite strong."

The girl consented gladly, but found herself conducted to the very lowest part of Woolwich and ushered into a brothel; there was no mother in the case. She was hoaxed, and powerless to resist. Her protestations were too late to save her, and having had her character forced from her she became hopeless, and stayed on to live the life of her false friend.

There is no need for me to go into the details of the way in which men and women, whose whole livelihood depends upon their success in disarming the suspicions of their victims and luring them to their doom, contrive to overcome the reluctance of the young girl without


In Darkest England and The Way Out