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Today's Stichomancy for Umberto Eco

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Betty by Honore de Balzac:

to her by her "natural father," Marshal Montcornet, and left in trust.

With an eye to the future, Valerie had added religious to social hypocrisy. Punctual at the Sunday services, she enjoyed all the honors due to the pious. She carried the bag for the offertory, she was a member of a charitable association, presented bread for the sacrament, and did some good among the poor, all at Hector's expense. Thus everything about the house was extremely seemly. And a great many persons maintained that her friendship with the Baron was entirely innocent, supporting the view by the gentleman's mature age, and ascribing to him a Platonic liking for Madame Marneffe's pleasant wit, charming manners, and conversation--such a liking as that of the late

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Seraphita by Honore de Balzac:

contradicts it. Who shall decide between rectalinear and curvilinear geometry? between the theory of the straight line and that of the curve? If, in His vast work, the mysterious Artificer, who knows how to reach His ends miraculously fast, never employs a straight line except to cut off an angle and so obtain a curve, neither does man himself always rely upon it. The bullet which he aims direct proceeds by a curve, and when you wish to strike a certain point in space, you impel your bombshell along its cruel parabola. None of your men of science have drawn from this fact the simple deduction that the Curve is the law of the material worlds and the Straight line that of the Spiritual worlds; one is the theory of finite creations, the other the


Seraphita
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Glimpses of the Moon by Edith Wharton:

hardly less delightful. Susy was a magician: everything she predicted came true. Houses were being showered on them; on all sides he seemed to see beneficent spirits winging toward them, laden with everything from a piano nobile in Venice to a camp in the Adirondacks. For the present, they had decided on the former. Other considerations apart, they dared not risk the expense of a journey across the Atlantic; so they were heading instead for the Nelson Vanderlyns' palace on the Giudecca. They were agreed that, for reasons of expediency, it might be wise to return to New York for the coming winter. It would keep them in view, and probably lead to fresh opportunities; indeed, Susy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Riders of the Purple Sage by Zane Grey:

I shouldn't champion him and every reason why I should. It's no little shame to me, Elder Tull, that through my friendship he has roused the enmity of my people and become an outcast. Besides I owe him eternal gratitude for saving the life of little Fay."

"I've heard of your love for Fay Larkin and that you intend to adopt her. But--Jane Withersteen, the child is a Gentile!"

"Yes. But, Elder, I don't love the Mormon children any less because I love a Gentile child. I shall adopt Fay if her mother will give her to me."

"I'm not so much against that. You can give the child Mormon teaching," said Tull. "But I'm sick of seeing this fellow Venters


Riders of the Purple Sage