The first excerpt represents the past or something you must release, and is drawn from Menexenus by Plato: been told, as you were saying, that the Athenians were going to choose a
speaker, and she repeated to me the sort of speech which he should deliver,
partly improvising and partly from previous thought, putting together
fragments of the funeral oration which Pericles spoke, but which, as I
believe, she composed.
MENEXENUS: And can you remember what Aspasia said?
SOCRATES: I ought to be able, for she taught me, and she was ready to
strike me because I was always forgetting.
MENEXENUS: Then why will you not rehearse what she said?
SOCRATES: Because I am afraid that my mistress may be angry with me if I
publish her speech.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Republic by Plato: themselves when they are walking alone; for before they have discovered any
means of effecting their wishes--that is a matter which never troubles
them--they would rather not tire themselves by thinking about
possibilities; but assuming that what they desire is already granted to
them, they proceed with their plan, and delight in detailing what they mean
to do when their wish has come true--that is a way which they have of not
doing much good to a capacity which was never good for much. Now I myself
am beginning to lose heart, and I should like, with your permission, to
pass over the question of possibility at present. Assuming therefore the
possibility of the proposal, I shall now proceed to enquire how the rulers
will carry out these arrangements, and I shall demonstrate that our plan,
 The Republic |
The third excerpt represents the future or something you must embrace, and is drawn from Emma by Jane Austen: very warmly as to your sense of that service, and mentioning
even what your sensations had been in seeing him come forward
to your rescue.--The impression of it is strong on my memory."
"Oh, dear," cried Harriet, "now I recollect what you mean; but I
was thinking of something very different at the time. It was not
the gipsies--it was not Mr. Frank Churchill that I meant. No! (with
some elevation) I was thinking of a much more precious circumstance--
of Mr. Knightley's coming and asking me to dance, when Mr. Elton
would not stand up with me; and when there was no other partner in
the room. That was the kind action; that was the noble benevolence
and generosity; that was the service which made me begin to feel
 Emma |