The first excerpt represents the past or something you must release, and is drawn from The Village Rector by Honore de Balzac: the postilion, the only witnesses who could have identified him, were
dead before he was tried."
"Tried for the robbery?" asked Madame Graslin.
"Yes, they took everything; amongst it twenty-five thousand francs
belonging to the government."
Madame Graslin rode silently after that for two or three miles. The
sun had now set, the moon was lighting the gray plain, which looked
like an open sea. Champion and Colorat began to wonder at Madame
Graslin, whose silence seemed strange to them, and they were greatly
astonished to see the shining track of tears upon her cheeks; her eyes
were red and full of tears, which were falling drop by drop as she
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Message by Honore de Balzac: the messenger of death! So I hurried on, splashing and bemiring
myself in the byways of the Bourbonnais.
Before very long I reached a great chestnut avenue with a pile of
buildings at the further end--the Chateau of Montpersan stood out
against the sky like a mass of brown cloud, with sharp, fantastic
outlines. All the doors of the chateau stood open. This in itself
disconcerted me, and routed all my plans; but I went in boldly,
and in a moment found myself between a couple of dogs, barking as
your true country-bred animal can bark. The sound brought out a
hurrying servant-maid; who, when informed that I wished to speak
to Mme. la Comtesse, waved a hand towards the masses of trees in
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The third excerpt represents the future or something you must embrace, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: to carry the icy feeling of the embrace into the world of dreams.
One day in passing a half-open door he had caught sight of a
maidservant washing herself, and that was the solitary recollection
which had in any way troubled his peace of mind from the days of
puberty till the time of marriage. Afterward he had found his wife
strictly obedient to her conjugal duties but had himself felt a
species of religious dislike to them. He had grown to man's estate
and was now aging, in ignorance of the flesh, in the humble
observance of rigid devotional practices and in obedience to a rule
of life full of precepts and moral laws. And now suddenly he was
dropped down in this actress's dressing room in the presence of this
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