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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Night and Day by Virginia Woolf:

as possible, though the trees had as yet no leaves to cast shadow upon their embraces. Katharine, thus withdrawn, felt her loneliness. The evening had been one of pain, offering her, minute after minute, plainer proof that things would fall out as she had foreseen. She had faced tones, gestures, glances; she knew, with her back to them, that William, even now, was plunging deeper and deeper into the delight of unexpected understanding with Cassandra. He had almost told her that he was finding it infinitely better than he could have believed. She looked out of the window, sternly determined to forget private misfortunes, to forget herself, to forget individual lives. With her eyes upon the dark sky, voices reached her from the room in which she

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

in G- and in Grunau, and giving facts about some investments in Chicago. There was nothing of more recent date and no personal correspondence whatever. The same was true of the pockets of the suit Siders had been wearing at the time of his death. A man of any property or position at all in the world gathers about him so much of this kind of material that its absence shows premeditation. The suit Siders had been wearing when he was killed was lying on the table in the room. It was a plain grey business suit of good cut and material. The body had been prepared for burial in a beseeming suit of black. Muller made a careful examination of the clothes, and found only what the police reports showed him had

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Princess by Alfred Tennyson:

And sweet as those by hopeless fancy feigned On lips that are for others; deep as love, Deep as first love, and wild with all regret; O Death in Life, the days that are no more.'

She ended with such passion that the tear, She sang of, shook and fell, an erring pearl Lost in her bosom: but with some disdain Answered the Princess, 'If indeed there haunt About the mouldered lodges of the Past So sweet a voice and vague, fatal to men, Well needs it we should cram our ears with wool

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

vision.

ERNEST. But what about technique? Surely each art has its separate technique?

GILBERT. Certainly: each art has its grammar and its materials. There is no mystery about either, and the incompetent can always be correct. But, while the laws upon which Art rests may be fixed and certain, to find their true realisation they must be touched by the imagination into such beauty that they will seem an exception, each one of them. Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet,