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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Bride of Lammermoor by Walter Scott:

derogated from his gentle blood in using the pencil for his principal means of support. But if Dick's pedigree was correct, some of his ancestors must have suffered a more heavy declension, since the good man his father executed the necessary, and, I trust, the honest, but certainly not very distinguished, employment of tailor in ordinary to the village of Langdirdum in the west.. Under his humble roof was Richard born, and to his father's humble trade was Richard, greatly contrary to his inclination, early indentured. Old Mr. Tinto had, however, no reason to congratulate himself upon having compelled the youthful genius of his son to forsake its natural bent. He fared like the


The Bride of Lammermoor
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Water-Babies by Charles Kingsley:

And at last they came to chimney No. 345. Out of the top of it, his head and shoulders just showing, stuck poor Mr. Grimes, so sooty, and bleared, and ugly, that Tom could hardly bear to look at him. And in his mouth was a pipe; but it was not a-light; though he was pulling at it with all his might.

"Attention, Mr. Grimes," said the truncheon; "here is a gentleman come to see you."

But Mr. Grimes only said bad words; and kept grumbling, "My pipe won't draw. My pipe won't draw."

"Keep a civil tongue, and attend!" said the truncheon; and popped up just like Punch, hitting Grimes such a crack over the head with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nada the Lily by H. Rider Haggard:

walked up to the Great Place of Jikiza. Now when he reached the gates of the kraal, he saw that many people were streaming through them, and mingled with the people. Presently they came to the open space in front of the huts of Jikiza, and there the headmen were gathered together. In the centre of them, and before a heap of the skulls of men which were piled up against his doorposts, sat Jikiza, a huge man, a hairy and a proud, who glared about him rolling his eyes. Fastened to his arm by a thong of leather was the great axe Groan-Maker, and each man as he came up saluted the axe, calling it "Inkosikaas," or chieftainess, but he did not salute Jikiza. Umslopogaas sat down with the people in front of the councillors, and few took any notice of


Nada the Lily
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Egmont by Johann Wolfgang Von Goethe:

they have? What is the freedom of the most free? To do right! And in that the monarch will not hinder them. No! No! They imagine themselves enslaved, when they have not the power to injure themselves and others. Would it not be better to abdicate at once, rather than rule such a people? When the country is threatened by foreign invaders, the burghers, occupied only with their immediate interests, bestow no thought upon the advancing foe, and when the king requires their aid, they quarrel among themselves, and thus, as it were, conspire with the enemy. Far better is it to circumscribe their power, to control and guide them for their good, as children are controlled and guided. Trust me, a people grows neither old nor wise, a people remains always in its infancy.


Egmont