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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Across The Plains by Robert Louis Stevenson:

out of the railway windows. And when either of us turned his thoughts to home and childhood, what a strange dissimilarity must there not have been in these pictures of the mind - when I beheld that old, gray, castled city, high throned above the firth, with the flag of Britain flying, and the red-coat sentry pacing over all; and the man in the next car to me would conjure up some junks and a pagoda and a fort of porcelain, and call it, with the same affection, home.

Another race shared among my fellow-passengers in the disfavour of the Chinese; and that, it is hardly necessary to say, was the noble red man of old story - over whose own hereditary continent we had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Figure in the Carpet by Henry James:

that a plain man knows things by. "That's only because you've never had a glimpse of it," he returned. "If you had had one the element in question would soon have become practically all you'd see. To me it's exactly as palpable as the marble of this chimney. Besides, the critic just ISN'T a plain man: if he were, pray, what would he be doing in his neighbour's garden? You're anything but a plain man yourself, and the very raison d'etre of you all is that you're little demons of subtlety. If my great affair's a secret, that's only because it's a secret in spite of itself - the amazing event has made it one. I not only never took the smallest precaution to keep it so, but never dreamed of any such accident.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister:

than my window. The General would have departed, placing his chair for the visitor, when Hortense waved for him an inviting hand toward the bench beside her; he waved a similarly inviting hand, looking at Juno, who thereupon sat firmly down upon the chair. At this the General hovered heavily, looking at his daughter, who gave him no look in return, as she engaged in conversation with Juno; and presently the General left them. Juno's back and Hortense's front, both entirely motionless as they interviewed each other' presented a stiff appearance, with Juno half turned in her seat and Hortense's glance following her slight movement; the two then rose, as the General came down the walk with two chairs and Mrs. Gregory and Mrs. Weguelin St. Michael. Juno, with a bow to them,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War of the Worlds by H. G. Wells:

was tired. Forty millions of miles it was from us--more than forty millions of miles of void. Few people realise the im- mensity of vacancy in which the dust of the material universe swims.

Near it in the field, I remember, were three faint points of light, three telescopic stars infinitely remote, and all around it was the unfathomable darkness of empty space. You know how that blackness looks on a frosty starlight night. In a tele- scope it seems far profounder. And invisible to me because it was so remote and small, flying swiftly and steadily towards me across that incredible distance, drawing nearer every min-


War of the Worlds