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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Stories From the Old Attic by Robert Harris:

meditative was the young man that he neglected to observe his path adequately, with the result that he soon bounced his head off an unhappily placed tree in the middle of the lawn.

Picking himself up and dusting himself off, the young man looked around to see if anyone had witnessed his inadvertent folly. The only people nearby were two men, who, although they were just a dozen feet away, were completely oblivious to the young man's accident, for the reason that they were engaged in a somewhat heated argument. Whether to obtain some sympathy for his bruised head, or to excuse his inattention, or perhaps simply because they were standing near a wheel barrow and looked for all the world like gardeners, the young man

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Life on the Mississippi by Mark Twain:

An old gentleman, out on an early morning walk, came along, and we discussed the weather, and then drifted into other matters. I could not remember his face. He said he had been living here twenty-eight years. So he had come after my time, and I had never seen him before. I asked him various questions; first about a mate of mine in Sunday school-- what became of him?

'He graduated with honor in an Eastern college, wandered off into the world somewhere, succeeded at nothing, passed out of knowledge and memory years ago, and is supposed to have gone to the dogs.'

'He was bright, and promised well when he was a boy.'

'Yes, but the thing that happened is what became of it all.'

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

hand, far away, came the rhythmic beating of solemn great drums, and the rising and falling chants of the savage peoples.

(C) THE CHIEFS

We left Meru well observed by a very large audience, much to the delight of our safari boys, who love to show off. We had acquired fourteen more small boys, or totos, ranging in age from eight to twelve years. These had been fitted out by their masters to alleviate their original shenzi appearance of savagery. Some had ragged blankets, which they had already learned to twist turban wise around their heads; others had ragged old jerseys reaching to their knees, or the wrecks of full-grown undershirts; one or

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Richard III by William Shakespeare:

QUEEN ELIZABETH. True, when avoided grace makes destiny. My babes were destin'd to a fairer death, If grace had bless'd thee with a fairer life. KING RICHARD. You speak as if that I had slain my cousins. QUEEN ELIZABETH. Cousins, indeed; and by their uncle cozen'd Of comfort, kingdom, kindred, freedom, life. Whose hand soever lanc'd their tender hearts, Thy head, all indirectly, gave direction. No doubt the murd'rous knife was dull and blunt Till it was whetted on thy stone-hard heart


Richard III