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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

I thought that a mountainous region was succeeding the long plains; and accordingly, after a few evolutions of the Nautilus, I saw the southerly horizon blocked by a high wall which seemed to close all exit. Its summit evidently passed the level of the ocean. It must be a continent, or at least an island--one of the Canaries, or of the Cape Verde Islands. The bearings not being yet taken, perhaps designedly, I was ignorant of our exact position. In any case, such a wall seemed to me to mark the limits of that Atlantis, of which we had in reality passed over only the smallest part.

Much longer should I have remained at the window admiring the beauties of sea and sky, but the panels closed. At this moment


20,000 Leagues Under the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato:

the intention, and that we must not be 'falsely true,' i.e. speak or act falsely in support of what was right or true. But Plato would limit the use of fictions only by requiring that they should have a good moral effect, and that such a dangerous weapon as falsehood should be employed by the rulers alone and for great objects.

A Greek in the age of Plato attached no importance to the question whether his religion was an historical fact. He was just beginning to be conscious that the past had a history; but he could see nothing beyond Homer and Hesiod. Whether their narratives were true or false did not seriously affect the political or social life of Hellas. Men only began to suspect that they were fictions when they recognised them to be immoral. And so in


The Republic
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Heritage of the Desert by Zane Grey:

He shouldn't have come. Is--is he--"

"He's drinking and in an ugly mood. It seems he traded horses with Jeff Larsen, and got the worst of the deal. There's pretty sure to be a fight."

"He always hated Larsen."

"Small wonder. Larsen is mean; he's as bad as we've got and that's saying a good deal. Snap has done worse things than fight with Larsen. He's doing a worse thing now, August--he's too friendly with Dene."

"I've heard--I've heard it before. But, Martin, what can I do?"

"Do? God knows. What can any of us do? Times have changed, August. Dene is here in White Sage, free, welcome in many homes. Some of our


The Heritage of the Desert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

his natural modesty of disposition asks for no outward honours, asks for nothing but an income sufficient for his simple needs, and for aid and opportunity to occupy himself in the way he most enjoys.

Joseph Muller's character is a strange mixture. The kindest-hearted man in the world, he is a human bloodhound when once the lure of the trail has caught him. He scarcely eats or sleeps when the chase is on, he does not seem to know human weakness nor fatigue, in spite of his frail body. Once put on a case his mind delves and delves until it finds a clue, then something awakes within him, a spirit akin to that which holds